Saturday, 25 February 2023

Vestments in the Lenten Season : 1

Purple vestments
In this Season of Lent, we are pleased to present some penitential vestments made by the Saint Bede Studio.

This particular set was made for a priest in North Dakota USA, a returning customer.

It is made from purple ecclesiastical brocade, this shade of purple being very similar to the colour of choir dress of bishops.

The chasuble is in the Studio's more ample style of Gothic, called Saint Giles.  Its ornament is formed from a simple braid in colours of burgundy upon taup, with some enrichment from another ecclesiastical brocade of a richer shade of purple.



Purple vestments

The vestments were lined in a taffeta in a brighter shade of red.

Please click on the images for an enlarged view.

Enquirers should review this page.

Purple Vestments

Thursday, 23 February 2023

Purchasing quality vestments in times of fiscal constraint


Saint Martin vestments
One of the Studio's more contemporary
styles "Saint Martin".
Good-quality vestments, especially if they are handmade and use silk fabrics, are quite costly.  Indeed, they always have been.  Some years ago, on a website, was found a strategy for being able to afford a vestment which seems too expensive.  It may be useful for readers.  It goes something like this...

Father had his heart set on a particular set of vestments, but didn't have the money to purchase them. The Parish had many commitments and could not justify making such a purchase. But the Parish did buy them and then they were put on display in the Church, with this sign:

"These new vestments were recently purchased. When we have raised enough money to cover their cost, they will be used at the Altar.  Until then, they are only for display."

It didn't take too long for the money to be raised for the vestments to be used for Mass and more besides; in fact, enough for another set to be purchased! The Parish loves the vestments and loves to see Father wearing them for Mass.


There is another facet of this story which many priests will be familiar with : the Faithful appreciate being asked to contribute to the beautification of their Parish church and its Sacred Liturgy. After all, it is the Faithful who look at the vestments worn by the priest. Is it not natural to wish to look at things of beauty?

Enquiries with the Saint Bede StudioThis page. 

Saturday, 18 February 2023

Priestly Ordinations 2022 : 3

Borromeon vestments
In this post, we are pleased to describe a set of vestments in the Saint Bede Studio's Borromeon style, which was commissioned by an ordinand from New Jersey, USA.

These vestments were made from a magnificent silk damask in colours of straw-gold upon a taup background.  The damask is called Lovebirds.  

The chasuble was ornamented in the Roman manner with a TAU at the front and a column at the back.  This ornamentation was formed from a damask in colours of burgundy and old gold, outlined with a galloon in a brighter shade of gold. 

The Saint Bede Studio

The lining of these vestments was formed from a shade of red taffeta.

Please pray for all newly-ordained priests.

Click on the images for an enlarged view.

Borromeon vestments

The Saint Bede Studio

Festal vestments

Enquiries : This page.

AMDG 

Tuesday, 14 February 2023

Thorny Issues around Ad Orientem worship

A new skirmish in the "Liturgy Wars" has broken out - at least in the United States - surrounding the practice of celebrating the New Order of Mass "ad orientem".

The novel practice of celebrating the Roman Mass "versus populum" began universally during the Second Vatican Council (1962 - 1965), but became more or less normative with the introduction of the New Order of the Roman Mass in November 1969.  With the New Mass were introduced many things which were passed off as being revivals of liturgical practices from the Early Church. But among them was also an entirely new concept, namely, the priest-celebrant as “Presider”. 

We would like to suggest that this particular break with Tradition has largely facilitated the widespread distortion where, from the very beginning of the Mass, the priest becomes more of a compere or emcee, rather than a celebrant. The principle of communication is most prominent in the New Order of Mass in what is termed The Introductory Rite. Here, the predominance of dialogue between the “presider” and the “assembly” occurs.  

It is for this reason precisely that the incorporation of ad orientem  posture is desirable from the very beginning of the Order of Mass and not simply during the Liturgy of the Eucharist.  It is desirable because it would have the effect of lessening the prevailing tendency that the Mass is a dialogue (which varies from place to place in degrees of formality) between those physically present in a particular church, rather than being the worship of the entire Church, Visible and Invisible.


A Conventual Mass according to the New Missal
in the Abbey-Church of Sant'Antimo, Tuscany.
Already, some pastors through the catechesis of their flocks, have introduced the celebration of Mass ad orientem and have been doing so for some time.  But not every pastor of souls is in a position to do this.  Leaving aside the issue of prudence, the sanctuaries of some churches are not readily suited to this arrangement, namely that the celebrant offers the Liturgy of the Eucharist at the altar facing towards the apse.  For these two reasons, suppose the focus were not on the Liturgy of the Eucharist, but on a partly ad orientem Liturgy of the Word?

Whilst it may well be argued that many priests and congregations would not welcome ad orientem celebrations of the Liturgy of the Eucharist, surely fewer would object to parts of the Liturgy of the Word being celebrated ad orientem, particularly if such a practice were introduced slowly and in stages and with appropriate catechesis. 

As a principle, prayers addressed to God during the Liturgy of the Word of the "Ordinary Form" Mass might be offered ad orientem and preferably at the altar or its foot, in order to clarify that such prayers are not a dialogue between the celebrant and the Faithful present. A gradual introduction of this principle could (over a period of years) lead to the celebration of Mass being entirely (or mostly) ad orientem. Already a variant of the Roman Rite exists which puts into effect this principle, namely the Order of Mass prepared for the use of the Personal Ordinariates Anglicanorum Coetibus in the United Kingdom, the USA/Canada and Australia.

Read a much elaborated version of this article at this link on the Saint Bede Studio blog.

AMDG

Saturday, 11 February 2023

Red Gothic Revival Vestments

Red vestments
In this post, we are pleased to present a lovely set of red Gothic Revival vestments  prepared by the Saint Bede Studio for a priest from the United States, a returning customer.

This chasuble was tailored in the Studio's Saint Austin design, being in the "pointed" style.  The vestments were made from an English brocade in a brighter shade of red and lined in a brassy-gold shade of taffeta.

The Saint Bede Studio

The vestments were ornamented with an orphrey braid of the Studio's own design in colours of green and gold upon red. The braid is called Saint Chad and is directly based on a design of AWN Pugin.

Click on the images for an enlarged view.

Enquiries Visit this page

Red Gothic vestments

The Saint Bede Studio

AMDG

Tuesday, 7 February 2023

Gothic Revival Festal Vestments

Saint Austin vestments
This is our first post of recently-completed vestments for 2023.  Shewn in the adjacent photographs are vestments prepared by the Saint Bede Studio for a priest from the United States, an esteemed returning customer.

This chasuble was tailored in the Studio's Saint Austin design, being in the Gothic Revival style.  The vestments were made from an English brocade in the colour of ivory and lined in a muted shade of olive taffeta.

Saint Austin vestments

The vestments were ornamented with an orphrey braid of the Studio's own design in colours of green, white and gold upon red. The braid is called Chi Rho.

Click on the images for an enlarged view.

Enquiries Visit this page

The Saint Bede Studio

AMDG

Friday, 3 February 2023

In Memory Cardinal George Pell

Yesterday, the Feast of the Presentation of the Lord, His late Eminence, Cardinal Pell was laid to rest in the crypt of Saint Mary's Cathedral, Sydney, near to all his predecessors going back to the foundation of the Church in Australia in 1820.  As an historian by discipline, he would relish the company he now keeps in death.

Cardinal Pell

It is a sad fact that the Cardinal was a man much-hated in his native Australia, thanks to years and years of unrelenting detraction from the Australian media and liberal elements within the Church.  He was also greatly admired and regarded as a hero by Faithful Catholics from the time of his appointment as a bishop in 1987.  In Australia, he subsequently became Archbishop of Melbourne and then Archbishop of Sydney before accepting a role within the Roman Curia to tidy-up financial affairs.

The late Cardinal had a great vision for the Church in Australia, once commenting that he intended to work to avoid the worst possible outcome : namely, the Church in Australia following the lead of the Church in Holland.  As Archbishop of Melbourne and then Archbishop of Sydney his steadily put into place his broad and deep vision for a revitalised, faithful, well-educated and apostolic Australian Church.  It will take a further twenty years for his vision to be entirely realised, in God's Providence.

Throughout his years of leadership his work was thwarted by the hatred of a certain element of Australian society, who wished to present themselves as champions of justice.  This culminated in the shameful moment when a Prince of the Church was falsely accused, convicted and gaoled in his own land.  How could any Catholic reflect on these facts and not feel the deepest shame?  These trials compromised the health of the Cardinal, and he has died prematurely for a man of such renowned vigour.  

We lament his loss, pray for his soul and thank God for his good, faithful work and for the wonderful example of his courage and integrity in the midst of persecution.

Eternal rest grant unto him, O Lord, with your saints forever; for you are merciful.

 

Tuesday, 31 January 2023

In Memory Benedict XVI : 22

Concluding our posts in this series in tribute to our late beloved Benedict XVI, of happy memory and on the 30th day following his death, I wish to write about my one and only encounter with Pope Benedict, which took place in Sydney Australia in July of 2008.

In March of that year, the Saint Bede Studio was contacted by the Archdiocese of Sydney with a request to submit designs for sets of vestments for the Papal Mass in Saint Mary’s Cathedral, Sydney, which was to be held on Saturday, 19th July, as part of World Youth Day.  A chasuble and stole, Pontifical dalmatic and mitre were to be prepared for the Pope’s use, in addition to three dalmatics for the deacons assisting the Pope at the Mass.

Design for the Papal Vestments
Designs were prepared for vestments decorated in three different styles: the Gothic Revival; Carolingian; and according to the traditions of Rome. These designs were then submitted by the Archdiocese of Sydney to then Prefect of Pontifical Ceremonies, Monsignor Guido Marini, who selected the design for vestments ornamented in the Roman style.  The adjacent image depicts the design chosen by the authorities in Sydney and Rome.  At the time they were drawn up, Pope Benedict was still using the ferula of S. John Paul II and the form of primitive pallium imposed on him at the beginning of his Pontificate in 2005.  He did not use either during his trip to Sydney.

In preparing the design, certain considerations were deemed important. First, that the vestments be beautiful and dignified, as is fitting for vestments used by the Pope. Second, that the vestments be convenient for the use. Lastly, that the vestments be visually related to Roman traditions for ornamenting sacred vestments.

Papal vestments
S' Martin.
The design for the chasuble was inspired by a 16th century Saragossan painting of Saint Martin of Tours. But the semi-conical shape of that chasuble was changed to accord more with the shape and dimensions set down in the same century by Saint Charles Borromeo; this would be more convenient for the use of Pope Benedict.

The fabric for these vestments was a magnificent silk damask silver and gold in colour, which was figured with embroidery in the Italianate style of 18th century. The front of the chasuble is decorated with the “tau”: an ornament in continual use in Rome for almost 1000 years. The ornament of the chasuble, Pontifical dalmatic and dalmatics of the three deacons was in a straw-coloured silk damask, trimmed with a 2cm wide quatrefoil braid of red and gold, especially designed by the Saint Bede Studio. All the vestments were lined in crimson-red silk and bear the Papal coat of arms.  An adjustment to the design occurred by way of enrichment.  The tau at the front and column at the back had embroidered medallions added to them, to give the chasuble a more three-dimensional effect.

Papal vestments
Mitre of S' Thomas.
The mitre for Pope Benedict's use was made from cloth gold upon which was embroidered mediaeval scrollwork in gold, silver and crimson thread. These embroideries were derived from the historic mitre of Saint Thomas Becket (12th century) kept at the Sens Cathedral. The lappets of this mitre are also embroidered with scrollwork and bear the Papal coat of arms. The embroidery of the mitre was carried out in Australia.

Below are images of all the vestments taken in the course of their manufacture.

Papal vestments
Constructing the mitre.

Papal Vestments
The completed mitre.


Papal vestments
Completed mitre shewing lappets.


Papal vestments
Detail of the mitre lappet
depicting the coat of arms of
Benedict XVI.

The Saint Bede Studio
The Papal stole.


Papal vestments
The Papal tunicle.

Papal vestments
Sewing the Papal chasuble.

Papal vestments
The completed Papal chasuble.

Papal vestments
Dalmatics for the deacons-assistant.

It was a tremendous and unexpected privilege to make these vestments for the use of Pope Benedict.  It was a project with its ups and downs but, protected by the Divine Hand, it was possible to bring it to a happy conclusion. There were also human agents whose generous assistance enabled this project to be completed in time for the Papal visit.

Ut in omnibus Deus glorificetur!

A concluding post will describe my experiences at Saint Mary's Cathedral Sydney during the Papal visit.


Sunday, 29 January 2023

In Memory Benedict XVI : 21

In Saint Mary’s Cathedral, Sydney, on Saturday 19th July 2008, Pope Benedict celebrated Pontifical Mass with the Australian Bishops for seminarians and religious novices.  This was part of the Pope's visit to Australia on the occasion of World Youth Day.

The Saint Bede Studio is pleased to reproduce a number of photographs take by L'Osservatore Romano, most of which have not been published anywhere else.  Please note that these photographs are under the copyright of L'Osservatore Romano and not to be reproduced.

The vestments and mitre worn by Pope Benedict for this Papal Mass, together with the dalmatics of the deacons-assistant were designed and made by the Saint Bede Studio, by the commission of the Archdiocese of Sydney and the Holy See.

All of these photographs were taken at the conclusion of the Mass, as the Pope and his ministers left the sanctuary. Pope Benedict is carrying the staff or ferula of Pope Pius IX.

Click on the images for an enlarged view.











Thursday, 26 January 2023

In Memory Benedict XVI : 20

In this post, the Saint Bede Studio is pleased to reproduce a number of photographs taken by L'Osservatore Romano, most of which have not been published anywhere else.  For this post, we are pleased to include the homily given by Pope Benedict during the Papal Mass with Bishops, Seminarians and Novices in Saint Mary's Cathedral, Sydney Saturday, 19th July 2008.

The vestments and mitre worn by Pope Benedict for this Papal Mass, together with the dalmatics of the deacons-assistant were designed and made by the Saint Bede Studio, by the commission of the Archdiocese of Sydney and the Holy See.

In a following post, we will recount the story of how the Studio came to make these Papal vestments.

The homily can be found at the website of the Holy See.  Illustrating images are under the copyright of L'Osservatore Romano and may not be reproduced or re-posted from this website.

Click on the images for an enlarged view.


The Saint Bede Studio
Pope Benedict aspersing the new altar of Saint Mary's Cathedral
during the Rite of Consecration.

Image : L'Osservatore Romano.

In this noble cathedral I rejoice to greet my brother Bishops and priests, and the deacons, religious and laity of the Archdiocese of Sydney. In a very special way, my greeting goes to the seminarians and young religious who are present among us. Like the young Israelites in today’s first reading, they are a sign of hope and renewal for God’s people; and, like those young Israelites, they will have the task of building up the Lord’s house in the coming generation. As we admire this magnificent edifice, how can we not think of all those ranks of priests, religious and faithful laity who, each in his or her own way, contributed to the building up of the Church in Australia? Our thoughts turn in particular to those settler families to whom Father Jeremiah O’Flynn entrusted the Blessed Sacrament at his departure, a “small flock” which cherished and preserved that precious treasure, passing it on to the succeeding generations who raised this great tabernacle to the glory of God. Let us rejoice in their fidelity and perseverance, and dedicate ourselves to carrying on their labours for the spread of the Gospel, the conversion of hearts and the growth of the Church in holiness, unity and charity!


We are about to celebrate the dedication of the new altar of this venerable cathedral. As its sculpted frontal powerfully reminds us, every altar is a symbol of Jesus Christ, present in the midst of his Church as priest, altar and victim (cf. Preface of Easter V). Crucified, buried and raised from the dead, given life in the Spirit and seated at the right hand of the Father, Christ has become our great high priest, eternally making intercession for us. In the Church’s liturgy, and above all in the sacrifice of the Mass consummated on the altars of the world, he invites us, the members of his mystical Body, to share in his self-oblation. He calls us, as the priestly people of the new and eternal covenant, to offer, in union with him, our own daily sacrifices for the salvation of the world.

The Saint Bede Studio
Pope Benedict anointing the new altar of Saint
Mary's Cathedral
during the Rite of Consecration.
He is shewn wearing the Episcopal dalmatic.
Image : L'Osservatore Romano.

In today’s liturgy the Church reminds us that, like this altar, we too have been consecrated, set “apart” for the service of God and the building up of his Kingdom. All too often, however, we find ourselves immersed in a world that would set God “aside”. In the name of human freedom and autonomy, God’s name is passed over in silence, religion is reduced to private devotion, and faith is shunned in the public square. At times this mentality, so completely at odds with the core of the Gospel, can even cloud our own understanding of the Church and her mission. We too can be tempted to make the life of faith a matter of mere sentiment, thus blunting its power to inspire a consistent vision of the world and a rigorous dialogue with the many other visions competing for the minds and hearts of our contemporaries.

Yet history, including the history of our own time, shows that the question of God will never be silenced, and that indifference to the religious dimension of human existence ultimately diminishes and betrays man himself. Is that not the message which is proclaimed by the magnificent architecture of this cathedral? Is that not the mystery of faith which will be proclaimed from this altar at every celebration of the Eucharist? Faith teaches us that in Jesus Christ, the incarnate Word, we come to understand the grandeur of our own humanity, the mystery of our life on this earth, and the sublime destiny which awaits us in heaven (cf. Gaudium et Spes, 24). Faith teaches us that we are God’s creatures, made in his image and likeness, endowed with an inviolable dignity, and called to eternal life. Wherever man is diminished, the world around us is also diminished; it loses its ultimate meaning and strays from its goal. What emerges is a culture, not of life, but of death. How could this be considered “progress”? It is a backward step, a form of regression which ultimately dries up the very sources of life for individuals and all of society.

The Saint Bede Studio
Pope Benedict anointing the new altar of Saint
Mary's Cathedral
during the Rite of Consecration.
He is shewn wearing the Episcopal dalmatic, and over this, a gremial.
Image : L'Osservatore Romano.

We know that in the end – as Saint Ignatius of Loyola saw so clearly – the only real “standard” against which all human reality can be measured is the Cross and its message of an unmerited love which triumphs over evil, sin and death, creating new life and unfading joy. The Cross reveals that we find ourselves only by giving our lives away, receiving God’s love as an unmerited gift and working to draw all men and women into the beauty of that love and the light of the truth which alone brings salvation to the world.

It is in this truth – this mystery of faith – that we have been “consecrated” (cf. Jn 17:17-19), and it is in this truth that we are called to grow, with the help of God’s grace, in daily fidelity to his word, within the life-giving communion of the Church. Yet how difficult is this path of consecration! It demands continual “conversion”, a sacrificial death to self which is the condition for belonging fully to God, a change of mind and heart which brings true freedom and a new breadth of vision. Today’s liturgy offers an eloquent symbol of that progressive spiritual transformation to which each of us is called. From the sprinkling of water, the proclamation of God’s word and the invocation of all the saints, to the prayer of consecration, the anointing and washing of the altar, its being clothed in white and apparelled in light – all these rites invite us to re-live our own consecration in Baptism. They invite us to reject sin and its false allure, and to drink ever more deeply from the life-giving springs of God’s grace.

Dear friends, may this celebration, in the presence of the Successor of Peter, be a moment of rededication and renewal for the whole Church in Australia! Here I would like to pause to acknowledge the shame which we have all felt as a result of the sexual abuse of minors by some clergy and religious in this country. Indeed, I am deeply sorry for the pain and suffering the victims have endured, and I assure them that, as their Pastor, I too share in their suffering. These misdeeds, which constitute so grave a betrayal of trust, deserve unequivocal condemnation. They have caused great pain and have damaged the Church’s witness. I ask all of you to support and assist your Bishops, and to work together with them in combating this evil. Victims should receive compassion and care, and those responsible for these evils must be brought to justice. It is an urgent priority to promote a safer and more wholesome environment, especially for young people. In these days marked by the celebration of World Youth Day, we are reminded of how precious a treasure has been entrusted to us in our young people, and how great a part of the Church’s mission in this country has been dedicated to their education and care. As the Church in Australia continues, in the spirit of the Gospel, to address effectively this serious pastoral challenge, I join you in praying that this time of purification will bring about healing, reconciliation and ever greater fidelity to the moral demands of the Gospel.

The Saint Bede Studio
At the Offertory during the Mass in
Saint Mary's Cathedral.

Image : L'Osservatore Romano.

I wish now to turn to the seminarians and young religious in our midst, with a special word of affection and encouragement. Dear friends: with great generosity you have set out on a particular path of consecration, grounded in your Baptism and undertaken in response to the Lord’s personal call. You have committed yourselves, in different ways, to accepting Christ’s invitation to follow him, to leave all behind, and to devote your lives to the pursuit of holiness and the service of his people.

In today’s Gospel, the Lord calls us to “believe in the light” (Jn 12:36). These words have a special meaning for you, dear young seminarians and religious. They are a summons to trust in the truth of God’s word and to hope firmly in his promises. They invite us to see, with the eyes of faith, the infallible working of his grace all around us, even in those dark times when all our efforts seem to be in vain. Let this altar, with its powerful image of Christ the Suffering Servant, be a constant inspiration to you. Certainly there are times when every faithful disciple will feel the heat and the burden of the day (cf. Mt 20:12), and the struggle of bearing prophetic witness before a world which can appear deaf to the demands of God’s word. Do not be afraid! Believe in the light! Take to heart the truth which we have heard in today’s second reading: “Jesus Christ is the same, yesterday, today and for ever” (Heb 13:8). The light of Easter continues to dispel the darkness!

The Saint Bede Studio
Pope Benedict distributing the Sacrament.
Image : L'Osservatore Romano.

The Lord also calls us to walk in the light (cf. Jn 12:35). Each of you has embarked on the greatest and the most glorious of all struggles, to be consecrated in truth, to grow in virtue, to achieve harmony between your thoughts and ideals, and your words and actions. Enter sincerely and deeply into the discipline and spirit of your programmes of formation. Walk in Christ’s light daily through fidelity to personal and liturgical prayer, nourished by meditation on the inspired word of God. The Fathers of the Church loved to see the Scriptures as a spiritual Eden, a garden where we can walk freely with God, admiring the beauty and harmony of his saving plan as it bears fruit in our own lives, in the life of the Church and in all of history. Let prayer, then, and meditation on God’s word, be the lamp which illumines, purifies and guides your steps along the path which the Lord has marked out for you. Make the daily celebration of the Eucharist the centre of your life. At each Mass, when the Lord’s Body and Blood are lifted up at the end of the Eucharistic Prayer, lift up your own hearts and lives, through Christ, with him and in him, in the unity of the Holy Spirit, as a loving sacrifice to God our Father.

In this way, dear young seminarians and religious, you yourselves will become living altars, where Christ’s sacrificial love is made present as an inspiration and a source of spiritual nourishment to everyone you meet. By embracing the Lord’s call to follow him in chastity, poverty and obedience, you have begun a journey of radical discipleship which will make you “signs of contradiction” (cf. Lk2:34) to many of your contemporaries. Model your lives daily on the Lord’s own loving self-oblation in obedience to the will of the Father. You will then discover the freedom and joy which can draw others to the Love which lies beyond all other loves as their source and their ultimate fulfilment. Never forget that celibacy for the sake of the Kingdom means embracing a life completely devoted to love, a love that enables you to commit yourselves fully to God’s service and to be totally present to your brothers and sisters, especially those in need. The greatest treasures that you share with other young people – your idealism, your generosity, your time and energy – these are the very sacrifices which you are placing upon the Lord’s altar. May you always cherish this beautiful charism which God has given you for his glory and the building up of the Church!

Dear friends, let me conclude these reflections by drawing your attention to the great stained glass window in the chancel of this cathedral.  There, Our Lady, Queen of Heaven, is represented enthroned in majesty beside her divine Son. The artist has represented Mary, as the new Eve, offering an apple to Christ, the new Adam. This gesture symbolises her reversal of our first parents’ disobedience, the rich fruit which God’s grace bore in her own life, and the first fruits of that redeemed and glorified humanity which she has preceded into the glory of heaven. Let us ask Mary, Help of Christians, to sustain the Church in Australia in fidelity to that grace by which the Crucified Lord even now “draws to himself” all creation and every human heart (cf. Jn 12:32). May the power of his Holy Spirit consecrate the faithful of this land in truth, and bring forth abundant fruits of holiness and justice for the redemption of the world. May it guide all humanity into the fullness of life around that Altar, where, in the glory of the heavenly liturgy, we are called to sing God’s praises for ever. Amen.

AMDG