Sunday, 5 April 2026

Easter Day 2026

To all readers of this blog and to customers and friends of the Saint Bede Studio, may many Graces be yours on the sacred Day of our Lord's Resurrection.

On Easter Day 2026, the Shadow of the Cross looms large across a world still stricken with confusion, hatred and war.  But in these fearful moments, we look again to the optimistic Christian message that God has overcome Death - and all the awfulness, frailties, discord and disappointments of this earthly life - and loves each and every poor sinner. 

Christ is Risen !

Thursday, 2 April 2026

The Mandatum

A 19th century engraving depicting the Pope, surrounded
by the Papal Court washing the feet of thirteen
poor men of Rome.
This rite took place in the Sistine Chapel on the
morning of Maundy Thursday.
The return to a more traditional liturgical praxis of Holy Week in the happy reign of Leo XIV brings a refreshment to those troubled by the developments of his predecessor. 

In this post, we wish to give an outline of the history of the Mandatum in order to present reasons why the significance of the Rite is open to different interpretations and philosophies.

The Catholic Encyclopædia (1907-1914) has an article on the history of the Mandatum, written by Herbert Thurston SJ, of which the following is an extract.  Father Thurston had written previously about the Mandatum in his monograph Lent and Holy Week (1904):

This tradition, we may believe, has never been interrupted, though the evidence in the early centuries is scattered and fitful. For example the Council of Elvira (A.D. 300) in Canon 48 directs that the feet of those about to be baptised are not to be washed by priests but presumably by clerics or at least lay persons. This practice of washing the feet at baptism was long maintained in Gaul, Milan, and Ireland, but it was not apparently known in Rome or in the East. In Africa the nexus between this ceremony and baptism became so close that there seemed danger of its being mistaken for an integral part of the rite of baptism itself (Augustine, Ep. LV, Ad Jan., n. 33). Hence the washing of the feet was in many places assigned to another day than that on which the baptism took place. In the religious orders the ceremony found favour as a practice of charity and humility. The Rule of St. Benedict directs that it should be performed every Saturday for all the community by him who exercised the office of cook for the week; while it was also enjoined that the abbot and the brethren were to wash the feet of those who were received as guests. The act was a religious one and was to be accompanied by prayers and psalmody, "for in our guests Christ Himself is honoured and received". The liturgical washing of feet (if we can trust the negative evidence of our early records) seems only to have established itself in East and West at a comparatively late date. In 694 the Seventeenth Synod of Toledo commanded all bishops and priests in a position of superiority under pain of excommunication to wash the feet of those subject to them. The matter is also discussed by Amalarius and other liturgists of the ninth century. Whether the custom of holding this Maundy (from Mandatum novum do vobis, the first words of the initial Antiphon) on Maundy Thursday, developed out of the baptismal practice originally attached to that day does not seem quite clear, but it soon became a universal custom in cathedral and collegiate churches. In the latter half of the twelfth century the pope washed the feet of twelve sub-deacons after his Mass and of thirteen poor men after his dinner. The Caeremoniale Episcoporum (1600) directs that the bishop is to wash the feet either of thirteen poor men or of thirteen of his canons. The bishop and his assistants are vested and the Gospel Ante diem festum paschae is ceremonially sung with incense and lights at the beginning of the function. Most of the sovereigns of Europe used also formerly to perform the Maundy. The custom is still retained at the Austrian and Spanish courts.
A number of points may be made here.  Although the origin of the Mandatum is a Divine Precept, which the Church has since earliest times considered binding, its expression and its symbolism are by no means clear in liturgical history. On the one hand, it is associated with the Catechumenate, on the other hand with the poor; yet again, a demonstration of the attitude of service which a bishop or religious superior ought to have towards his community.

The question of the Mandatum being linked to Ordination to the ministerial priesthood is somewhat less clear, although it is often spoken about.

What is quite clear, amongst various uncertainties, is that throughout its history, the Mandatum had no relationship with ordinary parish life: it was a rite which pertained to the Diocesan Cathedral or Church of a Religious Community.  Only since 1955, with the revisions of the Holy Week Liturgy approved by Pope Pius XII, has the Mandatum been included in the ceremonies of the Evening Mass of the Lord's Supper on Maundy Thursday and consequently, celebrated ordinarily in parishes. Perhaps this revision was not as laudable as was thought at the time.

In the last two decades, we have witnessed the spectacle of all sorts of curious and frightful additions to the Mandatum, advocated by tinpot liturgists (we will refrain from describing any of these dismal accretions).  And so, the symbolism of this ancient rite has become obscured again.  An unfortunate by-product of this trajectory is that the real focus of the Evening Mass of Maundy Thursday - the Institution of the Blessed Eucharist and Ministerial Priesthood - becomes obscured.

Happily, we note that in both the Ordinary and Extraordinary forms of the Roman Rite, the Mandatum is OPTIONAL.  In the more ancient (pre-1955) rites of Maundy Thursday, as we noted, the Mandatum is reserved to the local Bishop's celebration of Holy Week.  Its being observed at a time other than during the Evening Mass of the Lord's Supper on Maundy Thursday is something which, we might suggest, could be given serious consideration. Were that to happen, perhaps it would be of lesser consequence if the feet of women or non-Christians were also washed. 

AMDG

Passiontide 2026 : 6

This post features a set of red vestments in the Studio's Saint Cuthbert style.  This chasuble is both long and wide and is especially designed to fold up beautifully when the arms of the celebrant are elevated. 

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.


The Saint Bede Studio


The Saint Cuthbert chasuble is notable for a steeply-angled Y-orphrey, which is especially effective when the ornament is formed from a narrow galloon.  This ornament replicates certain mediaeval chasubles which have survived and others depicted in manuscript illuminations.

Tasteful contemporary vestments are made by certain studios in Italy, France and Germany, but we also make them here in Australia at the Saint Bede Studio.  This set has a simple dignity and is made from high quality fabrics.

Crimson-red dupion silk is lined with a copper-coloured taffeta and is ornamented with one of the Studio's braids called Saxony, being knotwork in three colours. 

  
Red vestments


Click on the images for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com


Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG


Wednesday, 1 April 2026

Passiontide 2026 : 5

Red vestments


At this time of year in the circles of liturgical commentators, there is frequently a discussion about why RED vestments are used on Palm Sunday, instead of purple; and likewise on Good Friday.  There are various theories about the intentions of the revisionists of the Holy Week liturgists in the 1950s and 1960s in making this change, including the one that goes " this was the colour used in an earlier period of the Roman Rite. "

Maybe that is true, but it is a claim that needs to be qualified.

We do know that the use of Roman purple is a very ancient one liturgically, but this colour in ancient times was not the fuchsia seen today in the robes of prelates of the Church; it was a much darker colour.  The reason for that is that the robes of Imperial Rome were double-dyed and resulted in a colour almost like clotted blood.

If we keep in mind this very deep colour it is easy to imagine that what was described as Roman Purple was not so very different from dark red or even black.  Consequently, it becomes easier to understand why what might be described or specified in very old liturgical texts as red, black or Roman purple might be describing much the same colour.

According to the Missale Romanum of 1970, Palm Sunday and Good Friday are observed with red vestments.  Although not stipulated in any of the liturgical books, the shade of red vestments used on Palm Sunday and Good Friday ought not be a fiery red.  Such a fiery red is more suitable for Masses of the Holy Spirit.

The set of vestments in this post is in a deep shade of red and accords with the theory outlined above about the ancient use of a dark penitential colour.  

It is simple, but dignified.  Made from dupion silk and fully lined, the chasuble is ornamented with a dominant TAU formed from a braid unique to the Studio, being a reproduction of a design by AWN Pugin.

The chasuble is in the Studio's Saint Martin  style, which is very ample and folds beautifully when the arms of the wearer are elevated.


Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com



Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Monday, 30 March 2026

Passiontide 2026 : 4

In this Passiontide, the Saint Bede Studio is pleased to present this set of vestments in a deep shade of red.  

This dignified set of vestments is in the Roman style, a particular variant we call Saint Martin, being a more ample cut of chasuble.


Passiontide vestments

The vestments were made from ecclesiastical brocade in a darker shade of red.  The ornament - in the Roman style - consists of a TAU at the front and a column at the back.  This ornament is formed from an ecclesiastical brocade in the colours of burgundy and old gold.  The effect is very solemn, which is more suited to the character of Passiontide than bright red vestments.  


The Saint Bede Studio : vestments made by Catholics for Catholics.


 Click on the image for an enlarged view.


The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Enquiries.


Information on placing an order.


Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG  

Saturday, 28 March 2026

Palm Sunday 2026

As Holy Week begins, we are pleased to present this set of red vestments, in the Borromeon style.

Red vestments

This set is constructed from ecclesiastical brocade in a beautiful shade of crimson red and is lined in a coppery shade of taffeta. 

The ornament was formed from one of the Studio's unique braids in colours of old gold and burgundy, with a hint of white, upon red.  It features knot-work, rather than our usual mediaeval style.  We called the braid Saint Columba. It can be used with any of the liturgical colours, excepting rose. 

The orphrey is outlined with another knot-work narrow galloon in the same colours.

The Saint Bede Studio : vestments made by Catholics for Catholics. 
 

Click on the images for an enlarged view. 


Red vestments

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.


Enquiries.


Information on placing an order.


Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG 


Friday, 27 March 2026

Passiontide 2026 : 3

The Saint Bede Studio


This is a set of vestments in a very different shade of Lenten purple.  It is not a blue-violet, but the colour of a grape, a deep shade, but slightly redder.  

Made from dupion silk and fully-lined in taffeta, the chasuble is ornamented with a geometric braid in colours of red, blue, straw and white, being a reproduction of a design by AWN Pugin. 

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

The chasuble is in the Studio's Saint Martin  style, which is very ample and folds beautifully when the arms of the wearer are elevated.


Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.


Enquiries : stbede62@gmail.com


Information on placing an order.


Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Wednesday, 25 March 2026

Ladye Day

Marian Vestments
On this lovely Feast of the Annunciation, the Studio is pleased to present this set of vestments in honour of the Virgin Mary. This design we have named Regina Coeli.

The vestments were made from a European brocade.  They were ornamented with a damask in peacock blue and silver, outlined with a silver-coloured narrow galloon.  The vestments were lined with dupion silk in a shade to match the orphrey.

We have made several sets of vestments in this style, which have been very pleasing to our customers.


The Saint Bede Studio : vestments made by Catholics for Catholics. 
 

The Saint Bede Studio


Click on the images for an enlarged view. 


The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Information on placing an order.


Regina Coeli


Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG 

Tuesday, 24 March 2026

Passiontide 2026 : 2



Purple vestments


As Passiontide continues, we are pleased to present this set of vestments, made from Roman purple dupion silk and ornamented simply with the Studio's Saint Columba braid in colours of burgundy, gold and white upon a red ground.  This braid is distinctive amongst the Studio's suite of unique braids because its ornament is inspired by ancient knot-work of the British Isles. 

These vestments are in the Gothic Revival style, a variant we call Saint Giles, which is not too ample and folds beautifully.


Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.


Enquiries : stbede62@gmail.com



Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Monday, 23 March 2026

Passiontide 2026 : 1

Dalmatics
As Passiontide begins, we are pleased to make this presentation of a set of vestments in a distinctive decorative scheme.  The colour of these vestments is commonly referred to as Roman purple.  

These vestments are made from an English ecclesiastical brocade, ornamented with a narrower braid in colours of grey and burgundy. 

The lining of these vestments is of taffeta in crimson-red colour.  Perhaps it may be noted that these Lenten vestments do not incorporate any trace of gold ornament.

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.


The Saint Bede Studio

Click on the images for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.


Enquiries : stbede62@gmail.com


Information on placing an order.


Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG