The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.
![]() |
Pope Paul VI greeting a priest
after Mass in Saint Peter's on Laetare Sunday 1978. Both are wearing rose
chasubles made from dupion silk.
Image: L'Osservatore Romano |
Section of a Gothic chasuble made from a distinctive rose-coloured dupion silk and ornamented with the Studio's braid Saint George in colours of red, burgundy and taup.
The Saint Bede Studio produces Rose-coloured vestments in various shades of rose fabric ... none being "Barbie Pink".
Click on the image for an enlarged view.
The Saint Bede Studio : vestments made by Catholics for Catholics.
Enquiries : stbede62@gmail.com
Section of a Rose chasuble made from dupion silk and ornamented with the Studio's braid Saint Dunstan in colours of red, taup and violet.
The Saint Bede Studio produces Rose-coloured vestments in various shades of rose fabric ... none being "Barbie Pink".
Click on the image for an enlarged view.
The Saint Bede Studio : vestments made by Catholics for Catholics.
Enquiries : stbede62@gmail.com
Section of a chasuble made from a silken fabric in a shade of silvery-rose and ornamented with the Studio's braid "Saint Edmund" in colours of silver, red and purple.
The Saint Bede Studio produces Rose-coloured vestments in various shades of rose fabric ... none being "Barbie Pink".
Click on the image for an enlarged view.
The Saint Bede Studio : vestments made by Catholics for Catholics.
Enquiries : stbede62@gmail.com
Rose-coloured vestments were never commonplace and they still are not. Many different colours have been deemed by the Church as acceptable as liturgical rose. Some of these are a salmon shade; some a silvery-pink, almost mushroom-colour; some close to what we would call Bishop's purple or fuchsia; and some red with overtones of gold.
These vestments were made from dupion silk in a quite lovely shade of rose. This dupion silk is distinctive for having weaves of two complementary shades, which appear different at alternative angles. The photographs accompanying this post shew these differing appearances. The vestments were fully lined in a taup-coloured taffeta.
The ornament was formed from a braid from the range of the Studio's unique offerings, called Saint George. The braid is in the colour of platinum and burgundy, upon a crimson background. A narrow galloon outlines the perimeter of the chasuble. Both these braids are derived from the designs of AWN Pugin.
Click on the images for an enlarged view.
![]() |
Figure 1. Pope Paul VI in 1978
wearing a rose chasuble made from dupion silk.
Image: L'Osservatore Romano |
![]() |
Figure 2. Pope Paul VI greeting a priest
after Mass in Saint Peter's on Laetare Sunday 1978. Both are wearing rose
chasubles made from dupion silk.
Image: L'Osservatore Romano |
Twice a year, the Church breaks the tone of its penitential seasons by the use of rose-coloured vestments.
Rose-coloured vestments were never commonplace and they still are not. Many different colours have been deemed by the Church as acceptable as liturgical rose. Some of these are a salmon shade; some a silvery-pink, almost mushroom-colour; some close to what we would call Bishop's purple or fuchsia; and some red with overtones of gold.
The vestments were made from dupion silk in a quite lovely shade of rose and fully lined in a taup-coloured taffeta. The vestments were ornamented with a braid from the range of the Studio's unique offerings, called Saint Dunstan. The braid is in colours of platinum, violet and white upon a crimson background.
Click on the images for an enlarged view.
Enquiries : At this page.
These vestments were made from a beautiful silk damask with a lighter rose figured ornament on a ground of green-gold. The lining of taffeta was selected to match the colour of the damask ground-colour.
Because of the particular characteristics of this damask, a simple ornament was chosen, being an outlining braid arranged in the Roman manner.
Click on the images for an enlarged view.
Enquiries : stbede62@gmail.com
![]() |
Figure 1. |
![]() |
Figure 2 |
![]() |
Figure 3. |
![]() |
Figure 4. |