Wednesday, 30 April 2025

Papal Retrospective : Blessed Pius IX (1846-1878)

The Saint Bede Studio
Blessed Pius IX (1846-1878)
On 16th June, 1846 GIOVANNI MARIA MASTAI-FERRETTI, Cardinal-Priest of the Roman basilica of Saints Marcellinus and Peter was elected Pope by the College of Cardinals and took the name Pius IX.

Cardinal Mastai-Ferretti was born in May 1792 in the Archdiocese of Spoleto. He was ordained a priest in 1819. Pope Leo XII appointed Father Mastai-Ferretti Archbishop of Spoleto, his hometown, in 1827 at the age of 35. He was named to the Sacred College in 1839.

Pius IX was the first Pope to be photographed and for this reason we include in this post some of these rare photographs even though they are not liturgical.

Click on the images for an enlarged view.


The Saint Bede Studio 
Figure 2 (above) 
This astonishing photograph from 1863 shows Pius IX greeting the Faithful from a balcony during a visit to Frosinone (south-east of Rome).  A canopy made from fabric has been constructed, beneath which the Pope can be clearly seen with his arms outstretched.


The Saint Bede Studio 
Figure 3 (above) 
An early engraving of Pius IX shewing him wearing the Mantum or cope.
His coat of arms is visible in the lower righthand corner of the cope.


The Saint Bede Studio
Figure 4 (above) 
Pius IX surrounded by prelates of the Papal Household 
in the early 1870's.
The Secretary of State, Cardinal Antonelli, is marked with an arrow.
Antonelli was never a priest, one of the last who held the rank of a lay-cardinal
subsequently abolished by Benedict XV.


The Saint Bede Studio 
Figure 5 (above)  
This image of Blessed Pius IX vested for Low Mass is partly photograph,
partly drawing: a practice common in the 19th century. Nevertheless
it quite accurately depicts the Pope and his vestments. 
 Three preferences of Pius IX, in terms of his liturgical style, were : an extremely shortened rochet - more like a cotta in dimensions; his mitres, not much taller than 12 inches or 30 centimetres and lastly a slightly-shortened albe, so that his cassock was visible below its lower edge.


The Saint Bede Studio 
Figure 6 (above)
In 1869, Pius IX convoked the Vatican  Ecumenical Council, which was attended by bishops from all over the world.  This marvellous engraving gives a very accurate idea of the appearance of one of the transepts of Saint Peter's Basilica where the proceedings were held.  The large number of Council Fathers present and the galleries built for observers are shewn.  When the Vatican States fell to Italian armies in 1870, however, the Council's proceedings were adjourned without conclusion.

It is likely that photographs were taken at the Council, but I have never seen any.   


The Saint Bede Studio
Figure 7 (above)
An engraving of the Consistory of March 1868, shewing Pius IX
conferring the Red Hat on Father Lucien Louis Joseph Napoleon Bonaparte.
Yes, the great-nephew of the Emperor Napoleon!  But Cardinal Bonaparte
lived the rest of his days in the Vatican, a faithful servant of the Holy See.


The Saint Bede Studio
Figure 8 (above)
The Coat of Arms of Blessed Pius IX.
 
Pius IX had the longest reign of any Pope in history.  He died on 7th February, 1878, aged 85. Originally buried in Saint Peter's, his remains were moved to the Church of Saint Lawrence-outside-the-walls in 1881, in accordance with his own wishes. They were returned to the Vatican Basilica in the Jubilee Year of 2000, when Pius IX was beatified by Pope John Paul II.

The Saint Bede Studio 
Figure 9 (above)
The mortal remains of Pius IX lying-in-state, February 1878.
The Pope is vested in Pontifical vestments, including the fanon and pallium.
The short mitre was a preference of Pius IX.


Next post: Pope Leo XIII.

AMDG

Papal Retrospective : Pope Gregory XVI (1831-1846)

The Saint Bede Studio
Figure 1. The triple tiara of Pope Gregory XVI.
On 2nd February, 1831 BARTOLOMEO CAPPELLARI O.S.B., Cardinal-Priest of the basilica of San Callisto was elected Pope by the College of Cardinals and indicated that he would be known as GREGORY, the sixteenth of that name.  

45 Cardinals participated in the 1831 Conclave, whilst 9 were unable to do so.  

The Conclave lasted an astonishing 50 days - by no means the longest in the history of the Conclaves.  Cardinal Cappellari was not expected to be elected Pope and was a candidate of compromise.


The Saint Bede Studio
Figure 2.  Pope Gregory XVI
A modern portrait by Giovanni Gasparri.
The Pope is dressed in the choirdress
of the Paschal Octave.

Bartolomeo Alberto Cappellari was born in a town some distance from Venice named Belluno in September 1765.  Aged 18, he joined the Monastery of Saint Michael, on the outskirts of Venice, a Benedictine House of Camaldolese monks.  He took the name of Mauro.  His monastic life was spent in houses in Venice and Rome, before becoming Abbot of the Benedictine Monastery on the Caelian Hill in Rome in 1805.  Twenty years later he was named a Cardinal and Prefect of the Congregation for the Doctrine of the Faith (as it is now known).





The Saint Bede Studio
Figure 3. A silver Vatican coin minted
in the reign Pope Gregory XVI
.

When elected Pope at the age of 65, Cardinal Cappellari was not a bishop and received episcopal consecration on the same day that he was crowned as Pope.  It is said that he chose the name Gregory because of his many years association with the Monastery on the Caelian Hill : Saint Gregory's.

The Saint Bede Studio
Figure 4.  A pen sketch depicting Gregory XVI
blessing British Prime Minister Sir Robert Peel.

National Portrait Gallery UK

Gregory XVI was a scholarly and pious man, but also of warm disposition.  He was by no means progressive, because he had lived through the French Revolution and the Napoleonic Wars.  As a monk, he once fled Rome when his predecessor, Pope Pius VII, was captured by Bonaparte. In his estimation, revolutionary thought, which emerged from the Enlightenment, was a menace to Godly order.

Among his notable publications, however, was an Apostolic Letter denouncing the institution and practice of human slavery.  After considerable consultation with the College of Cardinals, he issued this letter in 1839.

The Saint Bede Studio
Figure 5.  Pope Gregory XVI visiting
the Church of S' Benedict Subiaco.
Jean-François Montessuy 1843.

During his reign, many missionary dioceses in the "New World" were established, including Australia in 1834.

There are a number of internet resources which give a greater treatment of the life of Pope Gregory.  Wikipaedia is a starting point.

The Saint Bede Studio
Figure 6.  The Corpus Christi procession 
moving through S' Peter's
depicting Gregory XVI and the Papal Court.


Pope Gregory had a long reign of fifteen years and died in Rome at the age of 80.  He is buried in Saint Peter's Basilica, where there is a prominent shrine to his memory, including a life-size statue.  

Click on the images for an enlarged view.

AMDG


The Saint Bede Studio
Figure 7.  Coat of Arms of 
Pope Gregory XVI.


Next Post: Blessed Pius IX

A post on each of the Popes will be published each day.  Please share the posts with interested persons.

Monday, 28 April 2025

The Vacant Chair

Sede Vacante

The Arms of the Vacancy of the Holy See


During this Interregnum the Studio will be re-presenting its series of posts of historic images of the Pontificates from Gregory XVI to Benedict XVI. These will not be biographical posts, but will focus on Papal Liturgy.

The series will commence this week.

AMDG

Sunday, 27 April 2025

Within the Octave of Easter : 2

On this Octave Day of Easter,  the Saint Bede Studio is pleased to present a set of festal vestments, made in the style made familiar by Saint Philip Neri.  The vestments were made from a cream-coloured brocade and fully-lined in a taupe-coloured taffeta.

This chasuble is ornamented in the well-known Roman style, being the TAU at the front and a column at the back, formed by a rich silk damask in colours of taupe and straw-gold  and an outlining gold galloon.  

Saint Philip Neri

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.


The Saint Bede Studio

Click on the images for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Information on placing an order.

In his sermon at the Papal Funeral, the Dean of the College of Cardinals informed all present that the soul of the late Bishop of Rome is now with God in Heaven.

We are at liberty to disagree with the Cardinal's assertion and continue in charity to offer our prayers for the repose of the soul of the Pope and all the Faithful Departed.

O Lord, do not bring your servant to trial, for no man is holy in your sight unless you grant him forgiveness of all his sins.  We implore you, therefore, do not let the verdict of your judgement go against him, whom the loyal prayer of Christian faith is commending to your mercy.  Rather, by the help of your grace, may he escape the sentence which he deserves, for during his earthly life, he was signed with the Holy Trinity.  You who live and reign forever and ever.  Amen.

A prayer from the old ritual for the burial of the dead.

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Thursday, 24 April 2025

Why Red Vestments?

Observing the solemn rites for the Obsequies of the late Bishop of Rome, it will be noticed that the papal remains are clad in red Mass vestments, that the coffin is ornamented with red, that there are red drapes.  Is this an innovation of the post-Vatican Council liturgical reforms?  Not at all.

The Saint Bede Studio
The Cardinal Camerlengo incensing the Papal casket
in S' Peter's basilica.
Image : Associated Press.

Not only is red the traditional colour for Papal vesture (hence the drapes and ornament of the coffin) but there is an older tradition here to be observed.

Before the post-Vatican Council liturgical reforms, when the Pope celebrated solemnly (as distinct from a Low Mass) only one of two liturgical colours were used : red and white.  This very ancient Roman tradition is also employed - with degrees of observance - in the Byzantine rites, where white is the usual colour for the Divine Liturgy and red used for penitential days and funerals.  The emphasis was on vestments which were either lighter or darker in their appearance.

The Saint Bede Studio
The Cardinal Camerlengo incensing
the Papal casket.
Image : Associated Press.

O Lord, do not bring your servant to trial, for no man is holy in your sight unless you grant him forgiveness of all his sins.  We implore you, therefore, do not let the verdict of your judgement go against him, whom the loyal prayer of Christian faith is commending to your mercy.  Rather, by the help of your grace, may he escape the sentence which he deserves, for during his earthly life, he was signed with the Holy Trinity.  You who live and reign forever and ever.  Amen.

A prayer from the old ritual for the burial of the dead.

Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG  


Wednesday, 23 April 2025

Within the Octave of Easter

A Pope is dead and at present, and on this particular occasion, emotions are mixed and running high.

BUT CHRIST

who once for sinners bled,
Now, the first-born from the dead,
Thron'd in endless might and power
Lives and reigns forevermore !

Hail, eternal hope on high !
Hail, King of victory !
Hail, O Prince of life !
Help and save us, gracious Lord.

The Saint Bede Studio
In this Easter Octave, the Saint Bede Studio is pleased to present this distinctive set of festal vestments made for a Latin Mass Apostolate in New Zealand.

The vestments were made from a familiar tapestry fabric and fully-lined in crimson-red cloth.  This chasuble is ornamented in the well-known Roman style, a variation of the TAU at the front and a column at the back, formed by a stripes of crimson-red brocade and an outlining burgundy and gold galloon. 

The second image depicts the back of the chasuble, including an attractive applique of the Greek letters Kai and Rho.  The first image depicts a section of the front of the chasuble.

Saint Philip Neri vestments


The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.


Saint Philip Neri Chasuble

Click on the images for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries.


Information on placing an order.


Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG  


Monday, 21 April 2025

Eternal Rest

The Bishop of Rome has quietly departed this life.

Let us all earnestly pray for God's mercy upon the soul of Pope Francis.

Eternal Rest grant unto him O Lord. 

Sede_vacante


Sunday, 20 April 2025

EASTER DAY 2025

To all readers of this blog and to customers and friends of the Saint Bede Studio, may many Graces be yours on the sacred Day of our Lord's Resurrection.

On Easter Day 2025, the Shadow of the Cross looms large across a world still stricken with confusion, hatred and war.  But in these fearful moments, we look again to the optimistic Christian message that God has overcome Death - and all the awfulness, frailties, discord and disappointments of this earthly life - and loves each and every poor sinner. 

Christ is Risen !

Friday, 18 April 2025

The Suffering and Death of Our Lord

We commemorate the day of the Lord's suffering and death by posting this set of black vestments without comment.

Lord, by your holy Cross you have redeemed the world.


Black vestments


Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG  

Wednesday, 16 April 2025

Vestments for Passiontide 2025 : 2

In this Passiontide, the Saint Bede Studio is pleased to present this set of vestments in a darker shade of red.  

This dignified set of vestments is in the Roman style, a particular variant we call Borromeon, being a more ample cut of chasuble.


Passiontide vestments


The vestments were made from a glorious silk damask in a rich shade of red and lined in taffeta in a contrasting colour, copper.  

The ornament - in the Roman style - consists of a TAU at the front and a column at the back.  This ornament is formed from a damask in the colours of burgundy and old gold.  The effect is very solemn, which is more suited to the character of Passiontide than bright red vestments.  


The Saint Bede Studio : vestments made by Catholics for Catholics.


 Click on the image for an enlarged view.


The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Enquiries.


Information on placing an order.


Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG  


Friday, 11 April 2025

Vestments for Passiontide 2025 : 1

In this Passiontide, the Saint Bede Studio is pleased to present this set of vestments in a deep shade of red.  

This dignified set of vestments is in the Roman style, a particular variant we call Saint Martin, being a more ample cut of chasuble.


Passiontide vestments

The vestments were made from ecclesiastical brocade in a darker shade of red.  The ornament - in the Roman style - consists of a TAU at the front and a column at the back.  This ornament is formed from an ecclesiastical brocade in the colours of burgundy and old gold.  The effect is very solemn, which is more suited to the character of Passiontide than bright red vestments.  


The Saint Bede Studio : vestments made by Catholics for Catholics.


 Click on the image for an enlarged view.


The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Enquiries.


Information on placing an order.


Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG  

Wednesday, 9 April 2025

Vestments for the Season of Lent 2025 : 10

In this Passiontide, the Saint Bede Studio is pleased to present this set of penitential vestments.  

This dignified set of vestments is in the Gothic style, a particular variant we call Saint Giles, being a more ample cut of chasuble.

The vestments were made from ecclesiastical brocade in a brighter shade of purple.  Lined in a shade of crimson-red taffeta, the vestments were ornamented with one of the Studio's unique braids.  This geometric braid named Saint Austin we have used with great success in all the liturgical colours.  It is directly based on a design by AWN Pugin.


The Saint Bede Studio : vestments made by Catholics for Catholics.


Purple vestments

 Click on the images for an enlarged view.


The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Enquiries.


Information on placing an order.


Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG  

Sunday, 6 April 2025

Vestments for Lent 2025 : 9

Dalmatics
As Passiontide begins, we are pleased to make a further presentation of a set of vestments in a distinctive decorative scheme.  The colour of these vestments is commonly referred to as Roman purple.  

These vestments are made from an English ecclesiastical brocade, ornamented with a narrower braid in colours of grey and burgundy. 

The lining of these vestments is of taffeta in crimson-red colour.  Perhaps it may be noted that these Lenten vestments do not incorporate any trace of gold ornament.

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.


The Saint Bede Studio

Click on the images for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.


Enquiries : stbede62@gmail.com


Information on placing an order.


Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Wednesday, 2 April 2025

Vestments for Lent 2025 : 8

Violet vestments
In this Holy Season of Lent, we are pleased to make a further presentation of a set of vestments in a distinctive decorative scheme.  The vestments are constructed from ecclesiastical brocade in a darker shade of violet.  

The braid used to ornament these vestments is called Saint Norbert, a new braid in the Studio's range of unique braids.  This orphrey braid, in colours of slate grey, black and white, was specifically designed for use with violet or black vestments.

These vestments are a variation on the Gothic Revival style, which we call Saint Austin.  The lining of these vestments is of taffeta in a slate-grey colour, a subdued blue.  Perhaps it may be noted that these Lenten vestments do not incorporate any trace of gold ornament.

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

The Saint Bede Studio



Click on the images for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.


Enquiries : stbede62@gmail.com


Information on placing an order.


Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG