Saint Lawrence, martyr

On this feast of the martyr, Saint Lawrence, we are pleased to present this red dalmatic.  Made from a European brocade and fully-lined in taffeta, this dalmatic is ornamented with a simple foliated braid in colours of burgundy and straw.

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Information on placing an order.

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

The Season Per Annum 2026 : 10

In this post is depicted a new set of vestments in a beautiful shade of green dupion silk and ornamented with braids in colours of straw-gold upon red.  

These vestments are in one of our Gothic Revival styles.  The chasuble and accessories were lined in rust-red taffeta.

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Click on the images for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Information on placing an order.

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Saint Mary of the Cross

On this Feast of the Australian saint, Mother Mary of the Cross (Mackillop) the Studio is pleased to present a set of festal vestments, in the Gothic Revival style.

This set is constructed from an English ecclesiastical brocade and is lined in a muted yellow shade of taffeta. 

The ornament is formed from the Y shaped orphrey in colours of burgundy and straw-gold upon a red background.  This is one of the Studio's unique braids called Saint Giles.  

Although not elaborate, this is a beautiful and distinctive set of vestments.

The Saint Bede Studio : vestments made by Catholics for Catholics. 

 

Click on the images for an enlarged view. 

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Enquiries.

Information on placing an order.

Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG 

The Transfiguration

The Studio is pleased to commemorate the Feast of the Transfiguration with this post featuring a set of festal vestments. The vestments are made from a familiar tapestry fabric and fully-lined in crimson-red cloth. This chasuble is ornamented in the well-known Roman style, a variation of the TAU at the front and a column at the back, formed by a stripes of crimson-red brocade and an outlining burgundy and gold galloon.

The vestments are sumptuous, but yet gold metallic yarns are nowhere to be found in it.

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

The chasuble is in the Studio's Saint Philip Neri style, which is the product of years of research into historical vestments and refinement of dimensions for comfortable use.  The Studio revived this more ample 16th century style of the Roman chasuble in 2007 and since then we have made many of them.  Beware of poorly-made imitations!

Click on the images for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Information on placing an order.

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

A prayer for zealous shepherds

Thanks to Father Finigan we found this beautiful prayer of Saint John Fisher, dating from the year 1508, which he uttered during a Sermon. It is a prayer for the appointment to the Church of good bishops. Unfortunately the prayer was not answered as fully as he might have hoped. John Fisher, Bishop of Rochester since 1504, was the only Bishop in Catholic England to refuse to assent to the Act of Supremacy, the supreme arrogation of the vile despot Henry VIII (Tudor), severing England from Communion with the Roman Church. For such a refusal, Fisher was put to death by the tyrant in June 1535.  Pope Paul III had made him a Cardinal shortly before his death. Pope Pius XI canonised him four hundred years later (together with Sir Thomas More).

The portrait accompanying this post is described here . Based on Holbein's famous drawing, this portrait might easily be a photograph taken yesterday, so lifelike is it.

Lord, according to your promise that the Gospel should be preached throughout the whole world, raise up men fit for such work. The Apostles were but soft and yielding clay till they were baked hard by the fire of the Holy Ghost.

So, good Lord, do now in like manner again with your Church militant; change and make the soft and slippery earth into hard stone; set in your Church strong and mighty pillars that may suffer and endure great labours, watching, poverty, thirst, hunger, cold and heat; which also shall not fear the threatening of princes, persecution, neither death but always persuade and think with themselves to suffer with a good will, slanders, shame, and all kinds of torments, for the glory and laud of your Holy Name. By this manner, good Lord, the truth of your Gospel shall be preached throughout all the world.

Therefore, merciful Lord, exercise your mercy, show it indeed upon your Church.  Amen.

AMDG

Festal Days

During the Festal days of this week, the Studio is pleased to present this simple vestment in our Saint Anselm style.

This style of chasuble, which we have been making for a few years now, is simple and comfortable to wear.  Although the chasuble is unlined, it is made from substantial, not flimsy material, so that it hangs down well.  Around the neckline, on the underside of the chasuble is a facing, which causes the vestments to sit well on the shoulders.

Concerning the appearance of this vestment, it is intended to be a mixture of the contemporary and the traditional.  It is a long chasuble and reaching near to the wrists.  It is ornamented simply.  The colour of the ornament varies, but consists of two columns made from silk with a selection of the Studio's unique braids.

In the case of this chasuble, the Studio's braid Saint George is laid upon pendants of vibrant red silk dupion.  These pendants are attached to the front and to the back of chasuble.

Each of these simpler chasubles is supplied with a fully-lined stole.  They are available in all the liturgical colours.

Please click on the image for an enlarged view.

Enquiries : stbede62@gmail.com

Saint Dominic

On this remembrance of the illustrious life of Saint Dominic,  the Saint Bede Studio is pleased to present this set of festal vestments. 

The vestments are made from a beautiful silk damask in a very muted gold, with golden highlights. They are fully-lined in crimson-red taffeta.

This Borromeon chasuble is ornamented in the well-known Roman style, being the TAU at the front and a column at the back, formed by a damask in colours of burgundy and gold and an outlining gold galloon.

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

The chasuble is in the Studio's Borromeon style, which is the product of years of research into historical vestments and refinement of dimensions for comfortable use.  The Studio revived this more ample 16th century style of the Roman chasuble in 2007 and since then we have made many of them.  Beware of poorly-made imitations!

Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Information on placing an order.

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

The Revision of the Roman Rite : 1964 - 1970

Celebration of Mass according to
the 1965 Missale Romanum.

Among the many over-reaching claims made during the Troubles of the twelve years happily concluded in 2025 is one that stated that the revisions of the Roman Rite - specifically those which took place in and after the year 1969 - are "irreformable".  Only those who try to ignore or hide history could possibly come up with such a statement.  Graves and funerary monuments abound of those who considered their work to be permanent or irreformable.  Perhaps this is a small consolation for those still suffering the after-effects of Traditionis Custodes.

One of the lessons to be learned, however, from the Revision of the Liturgical books, which took place (mainly) between the years 1965 - 1970 is that changes took place in stages.

The first stage - introducing vernacular into the Rite of Mass and the celebration of the Sacraments was very dramatic and well-received.  Why it was so popular would bear a great deal of discussion, beyond the scope of this brief overview.  But there were no widespread protests against the introduction of the vernacular into the Roman Rite.  It seemed such a good idea, at least at first.  

Changes to the ritual actions of the Mass took place by degrees and - except for the innovation of the celebration of Mass facing the people at freestanding altars, went by without a great deal of handwringing or even attention, except of course for the celebrant and his ministers.  Ritually, so much was altered step-by-step in this period, that when the New Order of Mass came into effect on the First Sunday of Advent, 1969, it was seen quite clearly as just another revision amongst a continuum of revisions. That was the strategy and it was successful.

In a previous post, we presented the first of the Liturgical books to be released as a result of the decree of the Second Vatican Council Sacrosanctum Concilium.  We will continue to examine the many English-language Missals which were produced between 1964 and 1968 in further posts. Retrospectively, the form of the Roman Rite which existed between these two years has become known as the Interim Rite.  During those years, of course, such a term was not known, since that would have given the game away.  Except for those working behind the scenes, no one in 1964 / 65 would have believed that the Roman Rite would have been so drastically altered, such that Old and New bear only a basic resemblance.

For a younger generation the Missals of the so-called Interim Rite are largely unknown.  They make for a most interesting study.

The celebrant giving the Blessing during a
celebration of the Mass of the "Interim Rite".
The missal resting upon the altar is one of the Latin & vernacular
editions 1965-1968.

AMDG  

S. Alphonsus Liguori

In this post, we feature a chasuble and mitre set made for an American bishop.

The chasuble and mitre were made from an ornate silk damask, called Lovebirds. Ornamenting the chasuble, back and front, is a column formed from rose-gold silk damask, outlined by a golden galloon.  Both mitre and chasuble were lined in a rich red taffeta.

The Saint Bede Studio : vestments made by Catholics for Catholics.

The mitre has a similar decorative scheme, but its ornament is formed from different coloured braids.

Click on the images for an enlarged view. 

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Enquiries.

Information on placing an order.

Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG

S. Ignatius Loyola

On the Feast of Saint Loyola, we are pleased to present this set of festal vestments.

Made from a simple white brocade and fully-lined in a shade of gold silk, the chasuble in this post is ornamented with a Renaissance brocade in colours of red upon gold.  A galloon of red and straw-gold outlines the TAU ornament. 

The chasuble is in the Studio's Saint Philip Neri style, which is the product of years of research into historical vestments and refinement of dimensions for comfortable use.

Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

A Prayer for God's Blessing on our work

The work of the Saint Bede Studio, which is conducted in modest arrangements here in Newcastle, Australia, is able to continue because of God's blessing upon it.

Most days, we receive a message from a customer or an enquirer thanking us for the work we do to beautify God's house and with a promise of prayer.

Your custom and your prayer are the two foundations upon which our work continues.  We have many commissions and more enquiries than we can manage.  And perhaps an equal amount of difficulties.

This prayer has appeared on the Studio blog before.  Perhaps you will pray it remembering all those who work to sanctify God's House.

AMDG.

This prayer has received the Imprimatur of the Bishop of Maitland & Newcastle (Australia).

Suscipe Sancta Trinitas

One of the prayers which didn't survive the Missale Romanum final cut in 1970 was this one:

Accept, holy Trinity, this offering which we make to you in remembrance of the passion, resurrection and ascension of our Lord Jesus Christ, and in honour of blessed Mary ever Virgin, of blessed John the Baptist, of the holy Apostles Peter and Paul, of those whose relics rest here, and of all the Saints. To them may it bring honour, and to us salvation; and may they, whose memory we keep on earth, be pleased to intercede for us in heaven. Through the same Christ our Lord. Amen.

 

This beautiful prayer, intended to be recited quietly after the washing of the hands during the Preparation of Gifts or Offertory, is a summary of the things a Catholic should keep in mind when praying the Mass. It reminds us firstly that all our worship is offered to the One God, who is a Trinity of Persons: Father, Son and Holy Spirit. Secondly, in reflecting the Anamnesis after the consecration, the prayer insists on the unity of Christ’s Paschal Mystery that is re-presented for us in sacramental form: His Passion, Resurrection and Ascension. Finally, it asserts that a secondary end of the Mass is the honour of the Saints (that is, the victory of Christ in His members is being praised), and accordingly it begs their intercession for us on Earth. 

One can only wonder at the mentality which saw fit to excise this prayer from the Mass. If there was one prayer that ought to have been retained at the Offertory, this was the one. After washing his hands and before inviting the people to prayer (Pray, brethren), the celebrant bowed before the altar and quietly prayed the Suscipe Sancta Trinitas.

If you are a priest reading this, you might consider praying this prayer at the Offertory when you offer the Ordinary Form of the Roman Mass. If you pray it according to the rubrics of the 1962 Missale Romanum, (namely bowed and silently) no one in the pews will be disturbed.  We won't tell Cardinal Roche.

How beautiful it would be if once again this prayer were recited at every Mass!  The Angels would rejoice.

The Throw-away Culture

 

The throw-away society we live in, where the value of anything is measured in short-term satisfaction, is consumerist and ungodly.  The Church is not immune from such a mentality, unfortunately.  Vestments can be purchased ONLINE quite readily and affordably and the merit of this is all measured by convenience.

The Saint Bede Studio wishes to offer an alternative to this culture.  Our vestments are made to last decades (if well cared-for).  They are the product of artistic and careful design, not mass-production (no pun intended).

One such is shewn in this post - a glimpse of a set of green vestments in the mediaeval style.  The vestments were made from a lovely shade of English ecclesiastical brocade and lined in taffeta of a deep red colour.  

The ornament was formed from a lovely braid in colours of red and ivory, upon black.  These vestments are simple in their ornamentation, but striking.  The maniple is finished with solid fringing in colours of green and ivory.  There is no need here for fine embroideries, but the effect is created with strong colours and contrasts.

Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

On the Feast of Apostle James

On this beautiful Feast of the Apostle James, the Saint Bede Studio is pleased to present this image of a set of red vestments, the colour used for the Apostles, Martyrs and the Passion.  

The set was made from dupion silk in a subdued shade of red.  It is not the fiery-red used for the Feasts of the Holy Spirit, but closer to colour of blood.  The vestments were ornamented in the Roman style, with a TAU at the front and a column at the back, formed from a damask in colours of red and straw gold and an outlining galloon.  The lining was made of bronze-coloured taffeta.

The chasuble is in the Studio's Saint Philip Neri style, which is the product of years of research into historical vestments and refinement of dimensions for comfortable use.  The Studio revived this more ample 16th century style of the Roman chasuble in 2007 and since then we have made many of them.  Beware of poorly-designed imitations!

The work of the Saint Bede Studio is distinctive for its artistic qualities and the pains taken with every detail, such as the alignment of ornaments.  Even a restrained set of vestments like this is striking for its combination of colours and fine workmanship.

Click on the images for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Festal Vestments

We are pleased to present these images of a distinctive set of festal vestments.  This set was made according to the size of chasubles of the 16th century, being more a variant than a reproduction of such vestments.  They were made from a delightful brocade with a floriated woven design in gold and chocolate brown upon a  base colour of ivory.  The vestments were lined in silk taffeta in a beautiful and muted shade of green.

The Saint Bede Studio : vestments made by Catholics for Catholics. 

  

The vestments were ornamented with a vintage orphrey braid made of silk; it features a Cross in two shades of gold upon a vibrant yellow base.  

These vestments were ornamented with a simple column, back and front, which is attached to the chasuble.  We might say a little more about this ornament.  An unfortunate trend in vestment-making is employing a column of great width to ornament the chasuble.  Sometimes this amounts almost to 30 cm (12") !  This always looks disproportionate, even unseemly.    

The column orphreys made by the Studio to ornament our chasubles are constructed to careful measurements.  Often we use one of our unique braids as the basis for such columns, which we enhance by running a galloon along either side.  The above photograph shews just such an arrangement.  The wider orphrey braid is carefully arranged at the neckline and the bottom of the chasuble, so that its particular decoration is not truncated.  In this case, the particular is a stylised Cross, which is repeated at intervals along the orphrey.  A galloon of knotwork in burgundy and gold has been mounted on either side of the wider orphrey braid.  This same galloon is run around the perimeter of the chasuble and the neckline.  For most of our chasubles, the perimeter is trimmed with a narrow galloon.  

Enquiries.

Information on placing an order.

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG 

On the Feast of S. Mary Magdalen

On this lovely Feast, the Saint Bede Studio is pleased to present this set of Festal vestments.

The Saint Bede Studio : vestments made by Catholics for Catholics. 

This set of vestments is in the style we call Borromeon.   Although ornamented in the Roman manner, this is an earlier and more traditional form of "the Roman chasuble" being both wider and longer.  As made by the Saint Bede Studio, this style of vestment is very comfortable to wear.

This particular set was made from a beautiful silk damask in a shade of ivory, it was lined in a crimon red shade of taffeta and ornamented in the Roman manner : a silk damask outlined with a burgundy and galloon.

Please click on the images for an enlarged view.

Enquiries.

Information on placing an order.

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG 

Mitre and Vestments

In this post, we feature a chasuble and mitre set made for the Bishop of Maitland & Newcastle (Province of Sydney, Australia).

The chasuble was made from moiré taffeta, which is noteworthy for its vertical watermark effect, created during manufacture.  It is a fabric which is not too flimsy and has pleasing drapery.  Ornamenting the chasuble, back and front, is a column formed from straw-gold dupion silk, upon which is imposed one of the Studio's unique braids Saint Edmund.

The Saint Bede Studio : vestments made by Catholics for Catholics.

The mitre has the same decorative scheme, but its ornamented is formed from a much narrower version of the Saint Edmund braid.

Click on the images for an enlarged view. 

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Enquiries.

Information on placing an order.

Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG

The Season Per Annum 2026 : 9

In this post is depicted a new set of vestments in a beautiful shade of green dupion silk and ornamented with braids in colours of straw-gold upon red.  

These vestments are in one of our Gothic Revival styles.  The chasuble and accessories were lined in rust-red taffeta.

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Click on the images for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Information on placing an order.

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Our Ladye of Mount Carmel

On this beautiful Feast, we are pleased to present these images of one of the Studio's most popular sets of vestments, which we call Ave Maris Stella.  This is made in various Gothic styles and from different fabrics, but always and is ornamented with the now-familiar braid.

The Saint Bede Studio : vestments made by Catholics for Catholics.

We should describe this braid, for those who have not followed previous posts closely.  It employs two shades of blue, one a sky blue, the other Royal Blue and upon these two colours, the ornamental design is figured in (non-metallic) gold.

Within a Royal blue quatrefoil (four-leafed flower) is a stylised monogram being the letters MR.  This is the Latin abbreviation of Maria Regina (Mary the Queen).  It was very typical in the Mediaeval period for such monograms to appear as decorative schemes in churches and upon vestments. 

These quatrefoils alternate with another emblem, which is upon a light blue base.  Here is a crown emphasising the Queenship of the Blessed Virgin.  Below it, in heraldic lettering, is the greeting AVE.  From this is derived the name of this braid and based on the beautiful Marian antiphon Ave Maris Stella (Hail, Star of the Sea).

Running along either side of this orphrey is a row of smaller quatrefoils in gold, upon the Royal Blue base.

Although not directly-based on the work of the Gothic designer AWN Pugin, this Ave Maris Stella braid incorporates Puginesque elements.  No matter whether you shop for your vestments in Poland, India, England or America, you will not find another braid like Ave Maris Stella.  It is just one of the Saint Bede Studio's unique braids, designed by the writer of this blog and made exclusively for the Studio's use.

Click on the images for an enlarged view. 

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Enquiries.

Information on placing an order.

Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG

Saint Camillus de Lellis

A kindly priest customer of the Studio sent us this rare portrait of Saint Camillus de Lellis (1550-1614), co-Patron Saint of Nurses.  Saint Camillus spent most of his life caring for the sick. Read more about him here.

Saint Camillus was ordained a priest in 1584 by the last Catholic English bishop, Lord Thomas Goldwell. 

The adjacent image of Saint Camillus is said to be only contemporaneous portrait of him and shews him during the Offertory of the Mass.  The Saint is wearing a style of chasuble common in the sixteenth century and often associated with Saint Philip Neri. Saint Philip was a spiritual mentor of Saint Camillus.

The chasuble is made from an ivory-coloured silk brocade interwoven with gold, but perhaps its most interest feature is its orphrey ornamentation.  The orphrey appears to be formed from a woven braid in colours of black and gold on an off-white base.  Most interesting is the design of this braid, being a series of interlinked geometric motifs: quite unlike the style of ornament found on other chasubles of this period and in the two centuries following.

AMDG

On the Feast of Saint Henry

On this Feast of the Holy Roman Emperor Saint Henry, we are pleased to present a set of festal vestments, in the Gothic Revival style.

This set is constructed from an English ecclesiastical brocade and is lined in a muted yellow shade of taffeta. 

The ornament is formed from the Y shaped orphrey in colours of burgundy and straw-gold upon a red background.  This is one of the Studio's unique braids called Saint Giles.  

Although not elaborate, this is a beautiful and distinctive set of vestments.

The Saint Bede Studio : vestments made by Catholics for Catholics. 

 

Click on the images for an enlarged view. 

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Enquiries.

Information on placing an order.

Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG 

The Season Per Annum 2026 : 8

In this post is depicted a set of vestments in a subtle shade of green brocade and ornamented with the Studio's Sancte Deus orphrey braid.  This new braid amongst the Studio's offerings is in the distinctive colours of deep blue and ivory upon a green background. 

These vestments are in one of our Gothic Revival styles which we call Saint Benet.  The chasuble and accessories were lined in a bottle-green taffeta.

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Click on the images for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Information on placing an order.

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

On the Feast of Saint Benedict

On this lovely Feast of Saint Benedict, we are pleased to present a glimpse of a set of festal vestments, in the Gothic Revival style.

This set is constructed from brocade and is lined in a wine-red shade of taffeta. 

The ornament is formed from the Y shaped orphrey in colours of burgundy and platinum upon a red background.  This is one of the Studio's unique braids called Saint George and is based on designs by AWN Pugin.  

Although not elaborate, this is a beautiful and distinctive set of vestments.

The Saint Bede Studio : vestments made by Catholics for Catholics. 

 

Click on the images for an enlarged view. 

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Enquiries.

Information on placing an order.

Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG 

Waiting ...

For about six weeks, the proprietor of this Studio has been recovering from an injury.  Our sewing work has continued during this period, so that the schedule of commissions for 2026 has been going along as planned at the beginning of the year.

It has not been possible, however, to deal effectively with daily correspondence during the period.  All messages received by the Studio will be answered in due course.

I ask you to pray that this minor matter may quickly be resolved so that I may assist you better throughout the remainder of the year.  A prayer for this intention would be most welcome.

Michael Sternbeck

Newcastle NSW

8th July 2026.

During Troubled Times for the Church

Almighty, Eternal God, by ever giving strength to our weakness, you enable the Church to flourish even amidst its trials, so that when it appears to men to be utterly cast down, then rather does it gloriously prevails. Whilst then, it accepts affliction as a proving of its faith, let it persevere, by your grace, in triumphant loyalty. Amen.

A Collect from the Missal of Robert of Jumieges, 11th century.

This image of The Protection of the Mother of God is an exhibit in the Metropolitan Museum of Art.

The Most Precious Blood

In the Roman Calendar of the usus antiquior, today is the Feast of the Most Precious Blood.  In the revised Roman Calendar, today is the Feast of the holy Irish martyr-bishop Saint Oliver Plunket.

In this post, the Saint Bede Studio is pleased to present images of a set of red vestments.  

The set was made from ecclesiastical brocade in a fiery combination of red and straw-gold and lined in a matching shade of red.  The vestments were ornamented in the Roman style, with a TAU at the front and a column at the back, formed from an outlining galloon. 

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

  

The chasuble is in the Studio's Saint Philip Neri style, which is the product of years of research into historical vestments and refinement of dimensions for comfortable use.  The Studio revived this more ample 16th century style of the Roman chasuble in 2007 and since then we have made many of them.  Beware of poorly-designed imitations!

The work of the Saint Bede Studio is distinctive for its artistic qualities and the pains taken with every detail, such as the alignment of ornaments.  Even a restrained set of vestments like this is striking for its combination of colours and fine workmanship.

Click on the images for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Information on placing an order.

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

On the Solemnity of Saints Peter and Paul

On this great Feastday, the Saint Bede Studio is pleased to present this set of vestments in a deep shade of red.  

This dignified set of vestments is in the Roman style, a particular variant we call Saint Martin, being a more ample cut of chasuble.

The vestments were made from ecclesiastical brocade in a darker shade of red.  The ornament - in the Roman style - consists of a TAU at the front and a column at the back.  This ornament is formed from an ecclesiastical brocade in the colours of burgundy and old gold.  The effect is very solemn.  

The Saint Bede Studio : vestments made by Catholics for Catholics.

 Click on the image for an enlarged view.

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Enquiries.

Information on placing an order.

Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG  

Our Ladye of Perpetual Succour

One of the many lovely Feasts of the Blessed Virgin Mary is under the title Nostra Mater De Perpetuo Succursu.  In the English-speaking world, succursu had always been translated as "succour".  More recently translated as "perpetual help", this does not fully convey the meaning of the Latin word subcurro : to run to the assistance of.  Perhaps "of perpetual assistance" would be better than "help" but both lack the vigour of the Latin.  

Our Mother who unceasingly hastens to our assistance.  What a comforting thought.  Her very name inspires confidence.

Pictured in this post is one of the Studio's range of vestments in honour of the Blessed Virgin.  It is called Salve Regina.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Information on placing an order.

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AMDG