The Saint Bede Studio : vestments made by Catholics for Catholics.
Tuesday, 26 May 2026
Whitsuntide 2026 : 2
Monday, 25 May 2026
Whitsuntide 2026 : 1
The Saint Bede Studio : vestments made by Catholics for Catholics.
Monday, 18 May 2026
In Ascensiontide
The Saint Bede Studio : vestments made by Catholics for Catholics.
Enquiries : stbede62@gmail.com
Information on placing an order.
Wednesday, 13 May 2026
Fatima
The decorative focus of this vestment is an orphrey braid which is based on the work of AWN Pugin. This braid, which we call Salve Regina, is produced in two shades of blue (lighter and darker) with figured ornament in gold and white.
These vestments were made from an ecclesiastical damask in the shade of ivory and lined in blue taffeta.
The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.
Information on placing an order.
Click on the images for an enlarged view.
AMDG
Monday, 11 May 2026
Paschaltide 2026 : 8
Tuesday, 5 May 2026
On the Feast of S' Pius V
On this Feast of the great Pope of the post-mediaeval period, Saint Pius V, the Saint Bede Studio is pleased to present a style of vestments with which Pius V would have been familiar.
This set of vestments is in the style we call Saint Philip Neri. It is a modern interpretation of the chasubles illustrated in various depictions of Saint Philip and other bishops and saints of the 16th century. Although ornamented in the Roman manner, this is an earlier and more traditional form of "the Roman chasuble" being both wider and longer. As made by the Saint Bede Studio, this style of vestment is very comfortable to wear.
This particular set was made from a beautiful silk damask in a shade of ivory, it was lined in a muted golden taffeta and ornamented with a repeating Cross-design brocade, outlined with a golden galloon.
Please click on the image for an enlarged view.
The Saint Bede Studio : vestments made by Catholics for Catholics.
Information on placing an order.
The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.
AMDG
Thursday, 30 April 2026
The Bidding Prayers
Such intercessions are, therefore, of Apostolic origin, and were everywhere known by the time of Saint Augustine. The Solemn Orations of the Good Friday afternoon Liturgy were the only survival of such intercessions in the Roman Missal for centuries. In the East, however, they were preserved in the unvarying Litanies, or Ektenia that are prayed throughout the celebration of the Divine Liturgy. From the East, such intercessions made their way during the first millennium into the various Rites in England and, centuries later, were incorporated into the Services of the Church of England, long after they had ceased being a usual feature of the Roman Rite.
Anciently, the intercessions formed part of non-Eucharistic prayer service (sometimes called a Synaxis). But when such services came to be usually celebrated immediately before the Eucharistic Liturgy, the intercessions gradually fell into disuse. This was because intercessions made during the Eucharistic Liturgy often repeated those found in the Synaxis. Such was the origin of the Roman Mass being described in two parts: the Mass of the Catechumens and the Mass of the Faithful.
What is found in almost all the ancient examples of these intercessions are common intentions, which were summarised and made explicit by the Fathers of the Second Vatican Council.
It was never envisaged by the Council - nor was it part of the ancient practice - that such intercessions vary on a daily basis, nor that there be any inclusion of extemporaneous prayer. It might easily be argued that the Council Fathers wished that these intercessions would become fixed in people’s consciousness, by being prayed week after week. Such is the practice with our Eastern brethren.
Upon this simple concept outlined by the Council Fathers, there have been many accretions over the last 50 years. Not uncommonly, we find intercessions anaemic in their theological content and not specifically Christian in their outlook. We commonly find the intercessions to be linked to the Propers of the Mass, and the lections of the Mass of the Day, as if “theme” were all-important. But this was never intended by the Council Fathers. Furthermore, a new and more noble translation of the Roman Missal for the English-speaking world has highlighted the often unsacral, even trite expression of these intercessions. But even the formulae found in the Roman Missal are so terse as easily to be described as bland.
AMDG
Saturday, 25 April 2026
Paschaltide 2026 : 7
Click on the images for an enlarged view.
The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.
Information on placing an order.
AMDG
Friday, 24 April 2026
Paschaltide 2026 : 6
In this post is depicted an elegant festal dalmatic made by the Studio for an Australian customer to match a set of Low Mass vestments.
The dalmatic is made from ecclesiastical brocade and fully lined in a rich golden taffeta. In this instance, the choice was made to ornament the dalmatic with a Gothic Revival orphrey braid in colours of red and gold.
Tuesday, 21 April 2026
Paschaltide 2026 : 5
The Saint Bede Studio : vestments made by Catholics for Catholics.
Enquiries : stbede62@gmail.com
Sunday, 19 April 2026
Paschaltide 2026 : 4
The Saint Bede Studio : vestments made by Catholics for Catholics.
Enquiries : stbede62@gmail.com
Information on placing an order.
Tuesday, 14 April 2026
Paschaltide 2026 : 3
Click on the images for an enlarged view.
The Saint Bede Studio : vestments made by Catholics for Catholics.
Enquiries : stbede62@gmail.com
Information on placing an order.
Saturday, 11 April 2026
Paschaltide 2026 : 2
The Saint Bede Studio : vestments made by Catholics for Catholics.
Enquiries : stbede62@gmail.com
Information on placing an order.
Wednesday, 8 April 2026
Paschaltide 2026 : 1
The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.
The Saint Bede Studio : vestments made by Catholics for Catholics.
Enquiries : stbede62@gmail.com
Information on placing an order.
Sunday, 5 April 2026
Easter Day 2026
To all readers of this blog and to customers and friends of the Saint Bede Studio, may many Graces be yours on the sacred Day of our Lord's Resurrection.On Easter Day 2026, the Shadow of the Cross looms large across a world still stricken with confusion, hatred and war. But in these fearful moments, we look again to the optimistic Christian message that God has overcome Death - and all the awfulness, frailties, discord and disappointments of this earthly life - and loves each and every poor sinner.
Christ is Risen !
Thursday, 2 April 2026
The Mandatum
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| A 19th century engraving depicting the Pope, surrounded by the Papal Court washing the feet of thirteen poor men of Rome. This rite took place in the Sistine Chapel on the morning of Maundy Thursday. |
This tradition, we may believe, has never been interrupted, though the evidence in the early centuries is scattered and fitful. For example the Council of Elvira (A.D. 300) in Canon 48 directs that the feet of those about to be baptised are not to be washed by priests but presumably by clerics or at least lay persons. This practice of washing the feet at baptism was long maintained in Gaul, Milan, and Ireland, but it was not apparently known in Rome or in the East. In Africa the nexus between this ceremony and baptism became so close that there seemed danger of its being mistaken for an integral part of the rite of baptism itself (Augustine, Ep. LV, Ad Jan., n. 33). Hence the washing of the feet was in many places assigned to another day than that on which the baptism took place. In the religious orders the ceremony found favour as a practice of charity and humility. The Rule of St. Benedict directs that it should be performed every Saturday for all the community by him who exercised the office of cook for the week; while it was also enjoined that the abbot and the brethren were to wash the feet of those who were received as guests. The act was a religious one and was to be accompanied by prayers and psalmody, "for in our guests Christ Himself is honoured and received". The liturgical washing of feet (if we can trust the negative evidence of our early records) seems only to have established itself in East and West at a comparatively late date. In 694 the Seventeenth Synod of Toledo commanded all bishops and priests in a position of superiority under pain of excommunication to wash the feet of those subject to them. The matter is also discussed by Amalarius and other liturgists of the ninth century. Whether the custom of holding this Maundy (from Mandatum novum do vobis, the first words of the initial Antiphon) on Maundy Thursday, developed out of the baptismal practice originally attached to that day does not seem quite clear, but it soon became a universal custom in cathedral and collegiate churches. In the latter half of the twelfth century the pope washed the feet of twelve sub-deacons after his Mass and of thirteen poor men after his dinner. The Caeremoniale Episcoporum (1600) directs that the bishop is to wash the feet either of thirteen poor men or of thirteen of his canons. The bishop and his assistants are vested and the Gospel Ante diem festum paschae is ceremonially sung with incense and lights at the beginning of the function. Most of the sovereigns of Europe used also formerly to perform the Maundy. The custom is still retained at the Austrian and Spanish courts.
Passiontide 2026 : 6
The Saint Bede Studio : vestments made by Catholics for Catholics.
Enquiries : stbede62@gmail.com
Wednesday, 1 April 2026
Passiontide 2026 : 5
The Saint Bede Studio : vestments made by Catholics for Catholics.
Enquiries : stbede62@gmail.com
Monday, 30 March 2026
Passiontide 2026 : 4
The vestments were made from ecclesiastical brocade in a darker shade of red. The ornament - in the Roman style - consists of a TAU at the front and a column at the back. This ornament is formed from an ecclesiastical brocade in the colours of burgundy and old gold. The effect is very solemn, which is more suited to the character of Passiontide than bright red vestments.
The Saint Bede Studio : vestments made by Catholics for Catholics.
Click on the image for an enlarged view.
The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.
AMDG
Saturday, 28 March 2026
Palm Sunday 2026
Click on the images for an enlarged view.
The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.
AMDG
Friday, 27 March 2026
Passiontide 2026 : 3
The Saint Bede Studio : vestments made by Catholics for Catholics.
Wednesday, 25 March 2026
Ladye Day
The vestments were made from a European brocade. They were ornamented with a damask in peacock blue and silver, outlined with a silver-coloured narrow galloon. The vestments were lined with dupion silk in a shade to match the orphrey.
AMDG
Tuesday, 24 March 2026
Passiontide 2026 : 2
Monday, 23 March 2026
Passiontide 2026 : 1
The Saint Bede Studio : vestments made by Catholics for Catholics.
Enquiries : stbede62@gmail.com
Information on placing an order.
Saturday, 21 March 2026
The Liturgical Question that will not go away
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| Figure 1. The celebration of Mass "ad orientem" according to the New Missal in a French Monastic Community. |
He [Newman] was reminding us that, in fact, we all make mistakes about the meaning of life and how it should be lived. But things do not stop there because we then go on to act out these mistaken ideas, and this is true even if or when we are not very clear as to what exactly the ideas are. Bad practice is based on confused and false principles, and it is by an often bitter experience that we finally see the truth a bit more clearly and so find ourselves a little nearer to the Promised Land. EN2
We advance to the truth by experience of error; we succeed through failures. We know not how to do right except by having done wrong. We call virtue a mean, that is, as considering it to lie between things that are wrong. We know what is right, not positively, but negatively; we do not see the truth at once and make towards it, but we fall upon and try error, and find it is not the truth. We grope about by touch, not by sight, and so by a miserable experience exhaust the possible modes of acting till naught is left, but truth, remaining. Such is the process by which we succeed; we walk to Heaven backward.
Saint J.H. Newman "Parochial and Plain Sermons" Vol. 5, no. 8.
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| Figure 2. A scene at the Second Vatican Council. |
EN1 Robinson, Jonathon, The Mass and Modernity : Walking to Heaven Backward, Ignatius Press, San Francisco 2005.
EN2 Robinson, op.cit., page 344.
EN3 The terms Ordinary and Extraordinary as applied to the Mass of the Roman Rite originated in 2007 with Pope Benedict's motu proprio Summorum Pontificum. In this essay, we will refer to the Ordinary form as The Revised Rites since we are also discussing the revised liturgical books of the Sacraments, Episcopal ceremonies &c.
EN4 The following article is an investigation of the words written by the then Cardinal Ratzinger : https://sharonkabel.com/post/ratzinger-fabricated-liturgy/
AMDG
Friday, 20 March 2026
On the Importance of Altar frontals : part 1
Until 1960, the Rubrics of the Roman Missal and the directives of the Ceremonial of Bishops required that altars, but specifically high altars be clothed with an antependium: it was not a matter of choice or dependent upon the beauty or otherwise of any given altar. Unhappily, however, the directives were largely ignored. Recognising this failure, the revised rubrics of the 1960 Missal omitted the sentence which required the use of an antependium, although maintaining that rubric which required the antependium to be changed according to the season or festival.
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| The altar in Saint Peter's without an antependium. The altar is of surprising plainness, indicating that it was intended that the central altar of Christendom would always be clothed for Mass. |
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| A wider view of the Altar of the Confession, decorated for Christmas. The altar is manifestly enhanced by the magnificent antependium. |












































