Wednesday, 2 April 2025

Vestments for Lent 2025 : 8

Violet vestments
In this Holy Season of Lent, we are pleased to make a further presentation of a set of vestments in a distinctive decorative scheme.  The vestments are constructed from ecclesiastical brocade in a darker shade of violet.  

The braid used to ornament these vestments is called Saint Norbert, a new braid in the Studio's range of unique braids.  This orphrey braid, in colours of slate grey, black and white, was specifically designed for use with violet or black vestments.

These vestments are a variation on the Gothic Revival style, which we call Saint Austin.  The lining of these vestments is of taffeta in a slate-grey colour, a subdued blue.  Perhaps it may be noted that these Lenten vestments do not incorporate any trace of gold ornament.

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

The Saint Bede Studio



Click on the images for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.


Enquiries : stbede62@gmail.com


Information on placing an order.


Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Monday, 31 March 2025

Vestments for Lent 2025 : 7

In this Holy Season of Lent, we are pleased to present a set of vestments in a distinctive decorative scheme.  The vestments are constructed from a lighter shade of violet silk.  

The braid used to ornament these vestments is called Saint Norbert, being one of the Studio's unique braids and shewn for the first time in this post.  This orphrey braid, in colour of slate grey, black and white, was specifically designed for use with violet or black vestments.

Violet vestments
These vestments are a variation on the Gothic Revival style, being more ample, and which we call Saint Giles.

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.


Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.


Enquiries : stbede62@gmail.com


Information on placing an order.


Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Sunday, 30 March 2025

Laetare Sunday 2025

Rose vestments
On Laetare Sunday in this Holy Season of Lent, the Studio is pleased to feature these rose-coloured vestments, 
made from silk damask and lined in a champagne shade of taffeta. 

The orphrey of this chasuble is formed from one of the Saint Bede Studio's unique braids called Saint George.  This lovely braid, is formed from Gothic Revival elements.


The Saint Bede Studio : vestments made by Catholics for Catholics.


Click on the images for an enlarged view.

The Saint Bede Studio



The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Information on placing an order.



Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.


AMDG

 

Friday, 28 March 2025

Vestments for the Season of Lent 2025 : 7

Purple vestments
In this post is shewn two sections of a simple chasuble ornamented with a column at the front and the back.  The columns are decorated with one of the Studio's unique braids Saint Dunstan in colours of violet, taup and white upon a red background.  This braid was specially developed to ornament violet and rose-coloured vestments. 

The braid is laid upon an orphrey panel formed from red dupion silk. 

This set of vestments is in the style we have called Saint Anselm; it is not elaborate, but neither is it just thrown-together.  It is well-designed and of dignified appearance.  Note that the column is made from a red-coloured dupion silk, which complements the colour of the braid.  We also find that the column is not of exaggerated width, but of substantial appearance.  The shape of the neckline, coming to a shallow "V" at the front, but rounded at the back is elegant but sturdy and lacking the awful fold over collars which are all-too-frequently attached to chasubles.

There is much to be said for vestments of simple dignity.  These vestments are well-made and will be serviceable for a number of years if treated respectfully.

Click on the images for an enlarged view.

Purple vestments


The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com



Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Tuesday, 25 March 2025

The Annunciation

Marian vestments
On this beautiful Feast day, we are pleased to present a set of vestments in honour of the Blessed Virgin.  The vestments are made from a brocade in ivory and fully-lined in blue taffeta. 

The chasuble in this post is ornamented is an adaptation of the well-known Roman style, a TAU at the front and a column at the back, formed by a silk damask in beautiful shade of blue and an outlining galloon in blue and straw-gold.

These vestments are in the Studio's Saint Philip Neri style, which is the product of years of research into historical vestments and refinement of dimensions for comfortable use.  The Studio revived this more ample 16th century style of the Roman chasuble in 2007 and since then we have made many of them.  Beware of poorly-made imitations!

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Click on the images for an enlarged view.


The Saint Bede Studio

The Saint Bede Studio : vestments made by Catholics for Catholics.


Enquiries : stbede62@gmail.com


Information on placing an order.


Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Saturday, 22 March 2025

Vestments for Lent 2025 : 6

Violet vestments

In this Holy Season of Lent, we are pleased to present a set of vestments in a distinctive decorative scheme.  The vestments are constructed from a deeper shade of violet ecclesiastical brocade and fully-lined with Royal Blue taffeta.  

The braid used to ornament these vestments is called Saint Chad, being one of the Studio's unique braids and based directly on the designs of AWN Pugin.

These vestments are a variation on the Studio's Saint Philip Neri style, which is the product of years of research into historical vestments and refinement of dimensions for comfortable use.  The Studio revived this more ample 16th century style of the Roman chasuble in 2007 and since then we have made many of them.  Beware of poorly-made imitations!

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.


Click on the images for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.


Enquiries : stbede62@gmail.com


Information on placing an order.


Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Thursday, 20 March 2025

Vestments in the Season of Lent 2025 : 5

The Saint Bede Studio
In this Holy Season of Lent, the Saint Bede Studio is pleased to present this set of penitential vestments.  

This dignified set of vestments is in the Gothic style, a particular variant we call Saint Giles, being a more ample cut of chasuble.

The vestments were made from dupion silk of a rich and darker shade of purple.  Lined in a shade of crimson-red taffeta, the vestments were ornamented with one of the Studio's unique braids.  This geometric braid named Saint Austin we have used with great success in all the liturgical colours (except Rose).  It is directly based on a design by AWN Pugin.


The Saint Bede Studio : vestments made by Catholics for Catholics.


Lenten vestments


 Click on the images for an enlarged view.


The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Enquiries.


Information on placing an order.


Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG  

Tuesday, 18 March 2025

Purchasing Quality Vestments in Times of Fiscal Constraint


Saint Martin vestments
One of the Studio's more contemporary
chasuble styles "Saint Martin".
Good-quality vestments, especially if they are handmade and use silk fabrics, are quite costly.  Indeed, they always have been.  Some years ago, on a website, was found a strategy for being able to afford a vestment which seems too expensive.  It may be useful for readers.  It goes something like this...

Father had his heart set on a particular set of vestments, but didn't have the money to purchase them. The Parish had many commitments and could not justify making such a purchase. But the Parish did buy them and then they were put on display in the Church, with this sign:

"These new vestments were recently purchased. When we have raised enough money to cover their cost, they will be used at the Altar.  Until then, they are only for display."

It didn't take too long for the money to be raised for the vestments to be used for Mass and more besides; in fact, enough for another set to be purchased! The Parish loves the vestments and loves to see Father wearing them for Mass.


There is another facet of this story which many priests will be familiar with : the Faithful appreciate being asked to contribute to the beautification of their Parish church and its Sacred Liturgy. After all, it is the Faithful who look at the vestments worn by the priest. Is it not natural to wish to look at things of beauty?

The Saint Bede Studio : vestments made by Catholics for Catholics.

Information on placing an order.


Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG 

Saturday, 15 March 2025

Walking to Heaven Backwards (re-posted)

Figure 1.
The celebration of Mass "ad orientem" according to
the New Missal in a French Monastic Community.

Twenty years ago, a priest of the Toronto Oratory published a book titled The Mass and Modernity : Walking to Heaven Backward. It is an excellent philosophical study and profound in its discussion of the difficulties facing the Church because of the collapse of her Liturgical praxis. EN1   The author, Father Robinson, was inspired by a celebrated phrase in one of the Sermons of Saint JH Newman on the path we take to salvation.  Father Robinson observes that Saint Newman was writing about the individual who learns the truth about faith and right conduct through the experience of error : 
He [Newman] was reminding us that, in fact, we all make mistakes about the meaning of life and how it should be lived. But things do not stop there because we then go on to act out these mistaken ideas, and this is true even if or when we are not very clear as to what exactly the ideas are. Bad practice is based on confused and false principles, and it is by an often bitter experience that we finally see the truth a bit more clearly and so find ourselves a little nearer to the Promised Land.  EN2
Father Robinson suggests that this metaphor of the path to salvation is most applicable to the intense debates about the Church's Liturgy over almost 60 years.  It would be fair to conclude that these debates (some have termed them "wars") are but one manifestation of the increasingly polarised state of the Church.  In this little essay, we cannot plumb the philosophical depths of the arguments held by each side, nevertheless observing that these philosophical differences are the substance of the disagreement.  It would be regrettable to describe this debate as political, even though it manifests itself politically and in externals. 

The current phase of these debates presents irreconcilable differences - each side deems the other to be in an indefensible situation and harming the good of the Church.  This is debated continuously and often heatedly, on the wide-world of the Web.  The subject matter is so familiar to readers, that it is unnecessary to mention the small details, but merely to make some observations. 


OPPOSING POSITIONS 
There are two opposing positions (with many variations) in this particular battle of the Liturgy Wars.  

The first position is a rejection of the notion that the Roman Rite has two forms, Ordinary and Extraordinary, since this is deemed to be contrary to the decisions of the Second Vatican Council.   EN3  The notion is to be corrected by the suppression of that form which preceded the Council (the Extraordinary Form of the Roman Rite), regardless of the confusion or scandal that might be caused in the process.  

The opposing position is that the Rites which were promulgated after the conclusion of the Council (the Ordinary Form of the Roman Rite) were an illegitimate and fraudulent exercise in ecclesiastical authority, which cast aside Tradition for misguided ideological ends; the remedy, therefore, is that those revised Rites be suppressed, regardless of the practical difficulty of doing so. 

There are loud voices making clear these two positions, but not everyone who takes an interest in these matters holds to one or the other of the two positions. Many are disturbed by the intensity in which these two positions are debated. 

The Catholic World is not divided into Defenders of Liturgical Tradition and its Opponents.  There are many debates in the Church and perhaps they are underpinned by the same divergent philosophies.  Defenders of a strict liturgical Tradition are not numerous in the sum of the Church's Faithful and they seem mainly to be voices of the Western World. The Churches of Africa, Asia and South America do not seem to be deeply involved in this particular liturgical debate and are largely content with the revised Rites which emerged after 1969.  We might be mindful that the Faithful in these continents comprise a large number of the world's Catholics. 

BUILDING UP THE SACRED 
In his instruction Desiderio desideravi, the present Bishop of Rome wished to encourage a culture where the Sacred Liturgy is celebrated with sacrality and due decorum and that the Faithful be well-formed in what takes places when they gather to celebrate the Rites of the Church. This is an admirable aspiration, which aligns with the teachings of the Second Vatican Council on the Sacred Liturgy and, indeed, the teachings of previous Popes. But, unfortunately, the same vigour with which the Holy See acts to restrict the celebration of the former Missal is not also applied to the much more numerous and widespread abuses - worldwide - in the manner of celebrating the Revised Rites. The failure to act against these abuses - some of them sacrilegious - undermines what the Bishop of Rome claims he has "desired with a great longing". 

Also detracting from claims made in Traditionis Custodes and Desiderio desideravi is a vast body of reputable scholarship discussing the development of the Revised Rites and the ideology underpinning those revisions. It is no longer credible simply to assert that the New Order of Mass is the "unique" expression of the Roman Rite, nor to claim that it is completely consonant with the Tradition of the Church's liturgical prayer and ritual gestures. It is well that these objections be understood and not be dismissed out of hand as the ravings of agitators and arch-conservatives. 

It must also be remembered, on the other hand, that for the majority of Catholics, such scholarship is not relevant to their faith-lives. The majority of Catholics are content with the state of the Church's Liturgy as they experience it each week. Some, however, are more disposed to a re-sacralisation of the Rites than others.  Priests who celebrate both forms of the Roman Rite may not have the luxury to choose one to the exclusion of the other, nor think it desirable.

MAKING THE SAME MISTAKES 
Those who are convinced that the Church is going to abandon the Revised Rites in favour of a more strict liturgical Tradition are going to be disappointed. And those who believe that they can stifle the aspirations of Faithful Catholics with authoritarian acts of ritual repression will also be disappointed. When insufficient magnanimity underpins both positions, neither can expect or deserve success. 

It is justly pointed out that the perilous speed in which the revision of the Church's principal rites was carried out in the period 1965 - 1969 was harmful to the Church. Pope Benedict, in criticising the Revisions, noted a mentality which produced a "banal product of the moment".  EN4  These insightful words have been conveniently ignored. 

In the fifty or so years since, there have been too many changes in the Liturgy for the Faithful adequately to accommodate.  A liturgical spirituality cannot be formed in a milieu of ongoing adaptations and the frequent introduction of new music and liturgical texts.  In the West, the results of this are all-too evident. Why then, would the solution be to introduce another raft of changes, aimed at reversing those revisions? Why would that be any more prudent and less disruptive? 

FEWER DOCUMENTS AND MORE REAL DIALOGUE 
A stalemate is not quite the end of the matter, however, nor is that a Christian manner of resolving disagreements. We might hope for (but not expect soon), dialogue, rather than pronouncements from on high, whilst noting that this issue did not figure at all in the opaque discussions of the much-vaunted Synod on Synodality.  At this moment, Authority is interested in only certain debates.  

Everyone who takes the view that a "Reform of the Reform" is needed, has his or her own ideas on what form that should take. Might it not be best, however, that the future of liturgical reform be taken slowly, carefully and with greater charity on all sides? Those agitating for complete suppression of the Revised Rites might take a step backwards to reflect on wider realities within the Church.  Similarly, the Holy See should allow the more ancient Rites of the Church to be celebrated without paranoid restrictions and cease the unpastoral ostracisation and misrepresentation of its adherents.  The sanctification of the Church through its Sacred Liturgy is not well-served by ideological attempts to deny realities, even with the noble motives and aspirations. We should hope and pray for a ceasefire in these Liturgy Wars.  

Over a passage of years - not even the blink of an eye in God's time - it will become obvious, more acceptable, that aspects of the Revised Rites are a product of an era which is gone and no longer enriching to the Church, or providing what is needed to draw souls to Christ.  And those who have defended (should we write "imposed"?) those Revisions so emphatically will also be gone.  A reform of the Roman Rite is necessary and desirable, but can only be attempted at a moment free from rancour.  The process of Reform should not be limited to discussions between liturgical scholars, nor should the experiences of the last sixty years  - good and bad - simply be set aside, as if they never took place.  Learning from collective mistakes and setting aside imperfect premises, such a reform might be undertaken carefully, rooted in Tradition, but with pastoral sensitivity, one cautious step at a time, and backward. 

We advance to the truth by experience of error; we succeed through failures. We know not how to do right except by having done wrong. We call virtue a mean, that is, as considering it to lie between things that are wrong. We know what is right, not positively, but negatively; we do not see the truth at once and make towards it, but we fall upon and try error, and find it is not the truth. We grope about by touch, not by sight, and so by a miserable experience exhaust the possible modes of acting till naught is left, but truth, remaining. Such is the process by which we succeed; we walk to Heaven backward. 
 Saint J.H. Newman "Parochial and Plain Sermons" Vol. 5, no. 8. 

 

Figure 2.  A scene at the Second Vatican Council.



END-NOTES

EN1  Robinson, Jonathon, The Mass and Modernity : Walking to Heaven Backward, Ignatius Press, San Francisco 2005.

EN2  Robinson, op.cit., page 344.

EN3   The terms Ordinary and Extraordinary as applied to the Mass of the Roman Rite originated in 2007 with Pope Benedict's motu proprio Summorum Pontificum.  In this essay, we will refer to the Ordinary form as The Revised Rites since we are also discussing the revised liturgical books of the Sacraments, Episcopal ceremonies &c.

EN4  The following article is an investigation of the words written by the then Cardinal Ratzinger : https://sharonkabel.com/post/ratzinger-fabricated-liturgy/

AMDG

Friday, 14 March 2025

Vestments in the Season of Lent 2025 : 4

Violet vestments
In this Holy Season of Lent, the Saint Bede Studio is pleased to present this set of violet vestments.  

This dignified set of vestments is in the Gothic style, a particular variant we call Saint Austin.  The chasuble is pointed at the front and the back. 

The vestments were made from an ecclesiastical brocade, woven in the United Kingdom.  Lined in a shade of crimson-red taffeta, the vestments were ornamented with one of the Studio's unique braids.  This simple but striking braid named Saint Giles we have used with great success in all the liturgical colours (except Rose).


The Saint Bede Studio : vestments made by Catholics for Catholics.


Violet Gothic vestments


 Click on the images for an enlarged view.


The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Enquiries.


Information on placing an order.


Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG  

Tuesday, 11 March 2025

Vestments in the Lenten Season 2025 : 3

Purple vestments
In this Holy Season of Lent, the Saint Bede Studio is pleased to present this set of purple vestments.  

This dignified set of vestments is in the Gothic style, a particular variant we call Saint Giles.  It is of an ample cut and is flowing. 

The vestments were made from an ecclesiastical brocade, woven in the United Kingdom.  Lined in a shade of red taffeta, the vestments were ornamented with one of the Studio's unique braids.  This ornate and beautiful braid Saint Austin is derived from the designs of AWN Pugin and is woven in Royal blue and straw-gold upon a red background.


The Saint Bede Studio : vestments made by Catholics for Catholics.


The Saint Bede Studio
 

Click on the images for an enlarged view.


The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Enquiries.


Information on placing an order.


Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG 


Saturday, 8 March 2025

Vestments in the Lenten Season 2025 : 2


Gothic Revival Vestments
At the beginning of Lent, the Saint Bede Studio is pleased to present this set of vestments.  

This very rich set of dark violet vestments is in the Gothic Revival style, but it is a particular variant of the Gothic chasuble we call Saint Austin.

It is pointed at the front and the back and reaches to the elbows.

The vestments were made from a beautiful ecclesiastical brocade, woven in the United Kingdom.  Lined in a beautiful shade of deep rose-coloured taffeta, the vestments were ornamented with one of the Studio's unique braids.  This ornate and beautiful braid Saint George is derived from elements of the designs of AWN Pugin and is woven in burgundy and platinum upon a red background.


The Saint Bede Studio : vestments made by Catholics for Catholics. 


Violet vestments


Click on the images for an enlarged view.


The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Enquiries.


Information on placing an order.


Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG 

Wednesday, 5 March 2025

The Holy Season of Lent

The Saint Bede Studio
The Saint Bede Studio wishes all customers and readers of this blog a Lent overflowing with good works and graces.


Monday, 3 March 2025

Red vestments in the Borromeon style

Red vestments
In this post, we are pleased to present a glimpse of a set of red vestments, in the Borromeon style.

This set is constructed from ecclesiastical brocade in a beautiful shade of crimson red and is lined in a coppery shade of taffeta. 

The ornament was formed from one of the Studio's unique braids in colours of Old Gold and burgundy, with a hint of white, upon red.  It features knot-work, rather than our usual mediaeval style.  We called the braid Saint Columba. It can be used with any of the liturgical colours, excepting rose. 

The orphrey is outlined with another knot-work narrow galloon in the same colours.

The Saint Bede Studio : vestments made by Catholics for Catholics. 
 

Click on the images for an enlarged view. 


The Saint Bede Studio



The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.


Enquiries.


Information on placing an order.


Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG 

Saturday, 1 March 2025

Festal Vestments in the Gothic Revival Style

The Saint Bede Studio
In this post, we are pleased to present a glimpse of a set of festal vestments, in the Gothic Revival style.

This set is constructed from a beautiful silk damask in a warm shade of ivory and is lined in a muted shade of golden taffeta. 

The ornament was formed from one of the Studio's unique braids in colours of burgundy and gold upon red.   We called the braid Saint Giles and it is among the Studio's most frequently-requested ornaments.  

Not also a complementary fringing in colours of burgundy and gold, ornamenting the stole.

The Saint Bede Studio : vestments made by Catholics for Catholics. 
 

Click on the images for an enlarged view. 


Gothic Revival vestments

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.


Enquiries.


Information on placing an order.


Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG 


Thursday, 27 February 2025

Red vestments in the Gothic Revival Style

The Saint Bede Studio
In this post, we are pleased to present a glimpse of a set of red vestments, in the Gothic Revival style.

This set is constructed from ecclesiastical brocade in a bright shade red and is lined in a neutral shade of taffeta. 

The ornament was formed from one of the Studio's unique braids in colours of platinum on black. We called the braid Lux Aeterna. It is also used with black and purple vestments.

The Saint Bede Studio : vestments made by Catholics for Catholics. 
 

Click on the images for an enlarged view. 



Red vestments


The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.


Enquiries.


Information on placing an order.


Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG 

Tuesday, 25 February 2025

The Season Per Annum 2025 : 9

Saint Philip Neri vestments
In this post, we are pleased to present a further glimpse of a set of green vestments, in the 16th century Roman style.

This set is constructed from ecclesiastical brocade in a bright shade green and is lined in a delightful shade of taffeta which might be described as "Peacock Blue". 

The ornament is in the Roman style consisting of a TAU on the front of the chasuble and Cross on the back.  This ornament is formed from a shade of blue silk (matching the colour of the lining), outlined in a narrow galloon in colour of black and straw-gold.  

This beautiful and distinctive set of vestments was commissioned by a Catholic Cathedral in the USA.


The Saint Bede Studio : vestments made by Catholics for Catholics. 
 

Click on the images for an enlarged view. 


Green vestments

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.


Enquiries.


Information on placing an order.


Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG 


Green vestments


Sunday, 23 February 2025

The Season Per Annum 2025 : 8

In this post is depicted a dalmatic in a lovely shade of green dupion silk.

In this instance, the choice was made to ornament the dalmatic with a galloon in colours of burgundy and gold, enhanced with a trim of crimson red.  A beautiful brocade in colours of gold and red has been used to create an apparel on the front and the back of the dalmatic. 

Green dalmatic

The work of the Saint Bede Studio is distinctive for its artistic qualities and the pains taken with every detail, such as the alignment of ornaments.  Even a restrained set of vestments like this is striking for its combination of colours and fine workmanship.

 
Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com



Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG



Friday, 21 February 2025

A Wondrous Prayer : Suscipe Sancta Trinitas

In this week following the Solemnity of the Most Holy Trinity, let us consider one of the prayers which did not survive the Missale Romanum final cut in 1969:

Accept, holy Trinity, this offering which we make to you in remembrance of the passion, resurrection and ascension of our Lord Jesus Christ, and in honour of blessed Mary ever Virgin, of blessed John the Baptist, of the holy Apostles Peter and Paul, of those whose relics rest here, and of all the Saints. To them may it bring honour, and to us salvation; and may they, whose memory we keep on earth, be pleased to intercede for us in heaven. Through the same Christ our Lord.  Amen.

This beautiful prayer, intended to be recited quietly after the washing of the hands during the Preparation of Gifts or Offertory, is a summary of the things a Catholic should keep in mind when praying the Mass. It reminds us firstly that all our worship is offered to the One God, who is a Trinity of Persons: Father, Son and Holy Spirit. Secondly, in reflecting the Anamnesis after the consecration, the prayer insists on the unity of Christ’s Paschal Mystery that is re-presented for us in sacramental form: His Passion, Resurrection and Ascension. Finally, it asserts that a secondary end of the Mass is the honour of the Saints (that is, the victory of Christ in His members is being praised), and accordingly it begs their intercession for us on Earth. 

One can only wonder at the mentality which saw fit to excise this prayer from the Mass. If there was one prayer that ought to have been retained at the Offertory, this was the one. After washing his hands and before inviting the people to prayer (Pray, brethren), the celebrant bowed before the altar and quietly prayed the Suscipe Sancta Trinitas.

If you are a priest reading this, you might consider praying this prayer at the Offertory when you offer the Ordinary Form of the Roman Mass. If you pray it according to the rubrics of the 1962 Missale Romanum, (namely bowed and silently) no one in the pews will be disturbed by hearing a prayer recited which is not contained in the New Order of Mass.  Be daring.

How beautiful it would be if once again this prayer were recited at every Mass!  The Angels would rejoice.

Wednesday, 19 February 2025

The Season Per Annum 2025 : 7

In this post, we are pleased to present a glimpse of another set of green vestments, in the Gothic Revival style.

Green vestments
The Saint Bede Studio has made up this set a number of times over the years, it being an adaptation of a design for green vestments by AWN Pugin in the Gothic Revival style.

The set is constructed from a silk damask in a delightful shade of green. The vestments are lined in a shade of Royal Blue taffeta. 

The ornament is in the English style and is formed from an orphrey braid in colours of red and straw-gold upon blue.  This unique braid was designed by the Studio many years ago, based directly on the ornamental work of Pugin.  


The Saint Bede Studio : vestments made by Catholics for Catholics. 
 

Click on the images for an enlarged view. 


The Saint Bede Studio


The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Information on placing an order.


Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG 


Monday, 17 February 2025

The Season Per Annum 2025 : 6

In this post, we are pleased to present a glimpse of another set of green vestments, in the Gothic Revival style.

The Saint Bede Studio
The Saint Bede Studio has made up this set many times over the years, it being an adaptation of a design for green vestments by AWN Pugin in the Gothic Revival style.

The set is constructed from ecclesiastical brocade with figured Crosses and quatrefoils in a bright shade green upon a black background.  This gives the set the appearance of a quite dark green. The vestments are lined in a shade of crimson-red taffeta. 

The ornament is in the English style and is formed from an orphrey braid in colours of straw-gold upon red.  This unique braid was designed by the Studio many years ago, based directly on the ornamental work of Pugin.  

This beautiful and distinctive set of vestments was commissioned by an ordinand in the USA.


The Saint Bede Studio : vestments made by Catholics for Catholics. 
 

Click on the images for an enlarged view. 


Green vestments


The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.


Enquiries.


Information on placing an order.


Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG 

Saturday, 15 February 2025

The Season Per Annum 2025 : 6

 

Saint Philip Neri vestments

In this post is depicted a section of a set of vestments in a lovely shade of green.

These vestments are in the Studio's Saint Philip Neri style, which is the product of years of research into historical vestments and refinement of dimensions for comfortable use.  The Studio revived this more ample 16th century style of the Roman chasuble in 2007 and since then we have made many of them.  Beware of poorly-designed imitations!

The work of the Saint Bede Studio is distinctive for its artistic qualities and the pains taken with every detail, such as the alignment of ornaments.  Even a restrained set of vestments like this is striking for its combination of colours and fine workmanship.

In this instance, the choice was made to use a galloon in colours of black and gold to ornament the vestments : at first glance, an odd choice.  At close range, the contrast is distinctive; at a distance, black and gold merge with the surrounding green to produce an harmonious effect.

 
Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com



Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG


Friday, 14 February 2025

Anglophone Missals of the << Interim Rite >> 1964 - 1969 : 1

More than sixty years ago, in 1964, as a consequence of the deliberations of the Fathers of the Second Vatican Council, culminating in the Constitution Sacrosanctum Concilium, changes began to be introduced into the celebration of the Rite of the Roman Mass. New liturgical books which reflected these alterations were required.

We hope to examine on this blog the various iterations of the Roman Missal which were published between 1964 and 1969. These missals are often referred to as "Interim Rite" missals. Of necessity, these posts must be confined to Anglophone Interim Rite Missals.

The first of these Missals for the English-speaking world was published by the Catholic Book Publishing Company (New York) after May 1964, for the use of the Dioceses of the United States of America. Below are photographs from that Missal.

Please click on the images for an enlarged view.

The Missal handsomely-bound in red morocco leather and gold stamped.



The titlepage of the 1964 Missal.



On the reverse of the title-page, the Imprimatur of Cardinal Spellman of New York is shewn.
It also makes reference to the translation of the Scriptures which the Bishops determined for use.

In publishing this Missal, the Bishops Conference of the United States obtained a decree from the now infamous Consilium, signed by Cardinal Lercaro and Father Annibale Bugnini CM and dated 1st May 1964. The decree defined the specific changes to the celebration of the Mass which were permitted. The English language was permitted to be included in the following parts of the Mass (shewn in the photograph below) : the proclamation of the Epistle and Gospel; in the chants of the Ordinary of the Mass, namely the Kyrie, Gloria, Credo, Sanctus and Agnus Dei; in the Lord's Prayer; in the formula Ecce Agnus Dei before the Communion of the Faithful; in the chants of the Proper of the Mass, namely the Introit, Gradual etc., Offertorium and Communio; in acclamations, Greetings and Dialogues between the celebrant and the faithful. Lastly in the "Common Prayer" or prayers of the Faithful.


First part of the decree of the "Consilium" : May 1964.


This Missal, however, is a curiosity: it was published before the decisions regarding revisions to the rite of Mass were published at the beginning of 1965. Consequently, ritually it contains no changes from the celebration of Mass according to the 1962 typical edition of the Missale Romanum. All it admits of is the inclusion of the English language. It permits English for the use of the "Common Prayer" (General Intercessions), but no reference to these prayers is made in the rubrics of the Order of Mass. But one thing worthy of note : where these vernacular admissions are printed, no alternative in Latin is shewn. It seems that when the Consilium used the words in its decree " Linguam anglicanam adhibere licet ", it was more a requirement than a permission.


The first page of the Proper of the Seasons
shewing the Introit and Epistle in English,
but the Collect still entirely in Latin.

The next photographs are a selection of the pages of the Order of Mass.


The Prayers at the foot of the Altar : still entirely in Latin.


Pages shewing the Kyrie and Gloria, given only in English.
Compare the translation with the present translation for the Ordinary Form of the Roman Rite.


One of the prefaces :
The Preface itself and its introductory dialogue are entirely in Latin;
the Sanctus given only in English.


Pages shewing the Communion Rite :
The Lord's Prayer and Agnus Dei given in English,
everything else in Latin.

The concluding prayers of the Mass remain unaltered
from the 1962 edition of the Missale Romanum and all its predecessors.

Pages shewing the Rite of Burial, including English for chants and orations,
but the antiphon remaining in Latin with its Gregorian notation.