Saturday, 31 December 2022

Our Beloved Benedict XVI

Benedict XVI, our beloved Pope-emeritus, passed to his Eternal Reward at his residence in Rome earlier today, 31st December.  May he rest in peace. Amen.

Pope Benedict during Vespers in Saint Peter's
31st December 2011.

Over the last few years, Benedict XVI has quietly and slowly faded away.  Who would have believed that he would live so long beyond his abdication from the seat of Peter?  In these almost 10 years, he has continued to make a gentle contribution to the Church. He had the grace of a happy death, in God's embrace. 

How greatly the Church - now beleaguered by dissension, false-teaching, horrid scandals and rancour - will miss the holy presence of our beloved Benedict XVI.

May the angels lead him into Paradise.

AMDG

Saturday, 24 December 2022

In this Holy Season 2022

 


To all friends, customers and readers of this Blog, 
sincere wishes for a Blessed Christmas.

Every valley shall be exalted, and every mountain and hill be made low; the crooked shall be made straight and the rough places, plain; and the Glory of the Lord shall be revealed and all flesh shall see it together, for the mouth of the Lord has spoken it.
Isaiah 40:4-5.

Michael Sternbeck
The Saint Bede Studio
December 2022

Saturday, 17 December 2022

In the Season of Advent : 2

Sarum Blue
On the last Sunday of Advent, the Studio is pleased to present this set of vestments, which was made for a Community of the Ordinariate of the Chair of Saint Peter in the United States.

The Liturgy of the Ordinariate communities often incorporates vestiges of the English Sarum Use, which employed a different set of liturgical colours from those of the Roman Rite.  

These particular vestments were made for use during the Season of Advent and were fashioned from an English silk damask in a beautiful and subtle shade of blue.  The ornament was formed one of the Studio's unique braids, based on a geometric design of AWN Pugin, in colours of blue and straw-gold upon red.  The vestments were fully lined in a lovely shade of deep red taffeta. 

The Saint Bede Studio

These vestments are in the Studio's Saint Austin form which is pointed at the front and the back in the Gothic Revival style.

Please click on the images for an enlarged view.

Enquiries : This page. 

The Saint Bede Studio

Sarum Blue

Saturday, 10 December 2022

Gaudete Sunday 2022

Rose vestments
The Studio recently provided this simple set of Rose vestments to an esteemed customer in New Jersey (USA).

This vestment is made from a dusty shade of rose fabric and is ornamented with a column, front and back.  The ornament is formed from silver dupion silk and one of the Studio's unique braids Saint Edmund (based on a design of AWN Pugin).

The chasuble is unlined, but is faced at the neckline, helping it to sit well and not crumple.   The chasuble is lightweight, has a slight sheen, has good drapery and is comfortable to wear.

This chasuble is part of a range of economy vestments, which we call our Saint Anselm style.

Enquiries : stbede62@gmail.com

Click on the images for an enlarged view.

Rose vestments

The Saint Bede Studio




Thursday, 8 December 2022

On the Immaculate Conception

The Saint Bede Studio

To commemorate this Feast of the Immaculate Conception, we are pleased to present this set of vestments in honour of the Blessed Virgin.  These vestments are in the Saint Bede Studio's Maria Regina style.  

In this instance the chasuble is in a more ample Gothic form, made from an ecclesiastical brocade in the shade of ivory and lined in Royal Blue taffeta.

Click on the images for an enlarged view.

Enquiries : This page. 

Sunday, 4 December 2022

Advent Blue (re-posted)

In this Season of Advent, a debate regularly emerges about the use of "blue" vestments. The use of blue has advocates and fierce opponents.

Exactly what colour, however, is being suggested as Advent "Blue"? Is it the same colour as the flowers called "violets"? If so, then using that colour in Advent is not only permissible, but is embedded within the Church's Traditions. Some years ago, we presented an article about the history of the use of "violet" for vestments of the Roman Rite.

Click the links for Part One of the article and Part Two of the article.

In the adjacent illustration, a prelate of the Roman Court is shewn wearing choir dress.  What is distinctive is that the colour of the prelate's mantaletta is not the Roman purple that is familiar now for prelates, but violet. Up until the beginning of the 20th century (and even beyond in some places, such as France), violet was very common - even usual - for the choir dress of prelates.  Perhaps we may be permitted to regret that it no longer is.

This colour is the more traditional shade of "violet" used by the Church, despite the prevalence of darker shades now, which are more akin to "indigo".

Thursday, 1 December 2022

In the Season of Advent : 1

Violet vestments
In this Season of Advent, the Saint Bede Studio is pleased to present this set of vestments, which was made for a returning customer resident in the United States.

The vestments were made from an ecclesiastical brocade in a deep shade of violet.  A deep, narrow chevron formed from Peacock blue brocade was framed with a galloon comprised of knotwork in black upon a taup background.  This formed the chasuble ornament, front and back.  The vestments were fully lined in a lovely teal-blue taffeta. 

These vestments are in the Studio's Vezelay form which is ample, but carefully shaped to avoid falling upon the wearer like a blanket.

Please click on the images for an enlarged view.

Enquiries : This page. 


Violet vestments

The Saint Bede Studio

Thursday, 17 November 2022

In the Month of the Holy Souls : 2

Black vestments
In this month of the Holy Souls, the Saint Bede Studio is pleased to present this set of vestments, which was made for a returning customer resident in the United States.

The vestments were made from black dupion silk.  A chevron formed from black brocade was framed with one of the Studio's galloons called Saxony, comprising knotwork in burnt orange and black upon a taup background.  This formed the chasuble ornament, front and back.  The vestments were fully lined in a bronze-coloured taffeta. 

These vestments are in the Studio's Saint Martin form which is very ample, but carefully shaped to avoid falling upon the wearer like a blanket.

Please click on the images for an enlarged view.

Enquiries : This page.


May the souls of all the Faithful Departed, through the mercy of God, rest in peace.  Amen.

The Saint Bede Studio

Funeral vestments

The Saint Bede Studio

Funeral vestments

Monday, 14 November 2022

Saint Philip Neri vestments


Saint Philip Neri vestments
The Saint Bede Studio recently completed this set of festal vestments in the 16th century style called Saint Philip Neri.  They were made for a returning customer, who wished to have a set of vestments suitable for use during Nuptial Masses.

Made from a cream-coloured ecclesiastical brocade, the vestments were lined in taffeta is a subtle shade of green-gold.  The ornament was formed in the Roman manner, being a tau at the front and a column at the back.  A silk damask in shades of straw and taup was used to form the ornament, outlined with a simple braid in gold and rose.

The Saint Bede Studio


Enquiries 
stbede62@gmail.com

Click on the images for an enlarged view.

AMDG

Saint Philip Neri vestments


Saint Philip Neri vestments

Saint Philip Neri vestments

The Saint Bede Studio

Friday, 11 November 2022

Festal Vestments

These Festal vestments were recently provided by the Studio to a customer in the Archdiocese of Melbourne (Australia).

The vestments were made from a jacquard in colours of ivory and gold and ornamented with a column orphrey, front and back.  The ornament was formed from dupion silk in a shade of old gold and one of the Studio's unique braids Saint Columba.

The vestments were fully lined in a brassy-gold colour of taffeta.   

The Saint Bede Studio


The Saint Bede Studio

The Saint Bede Studio

The Saint Bede Studio


Enquiries : stbede62@gmail.com

Click on the images for an enlarged view.

AMDG

Thursday, 10 November 2022

In the Month of the Holy Souls

Black vestments
In this month of the Holy Souls, the Saint Bede Studio is pleased to present this set of vestments, which we call Absolve, made for a returning  customer from the United States.

The vestments, in the Saint Philip Neri form, were made from a black brocade and fully lined in a bronze-coloured taffeta.  They were ornamented in a brocade of black and gold (which depicts the Crucifixion) outlined with a foliated braid in black and gold.

Please click on the images for an enlarged view.

Enquiries : This page.

The Saint Bede Studio

The Saint Bede Studio


Friday, 4 November 2022

Walking to Heaven Backward

Figure 1. 
The celebration of Mass "ad orientem" according to
the New Missal 
in a French Monastic Community.

Almost twenty years ago, a priest of the Toronto Oratory published a book titled The Mass and Modernity : Walking to Heaven Backward. It is an excellent philosophical study and profound in its discussion of the difficulties facing the Church because of the collapse of her Liturgical praxis. EN1   The author, Father Robinson, was inspired by a celebrated phrase in one of the Sermons of Saint JH Newman on the path we take to salvation.  Father Robinson observes that Saint Newman was writing about the individual who learns the truth about faith and right conduct through the experience of error : 
He [Newman] was reminding us that, in fact, we all make mistakes about the meaning of life and how it should be lived. But things do not stop there because we then go on to act out these mistaken ideas, and this is true even if or when we are not very clear as to what exactly the ideas are. Bad practice is based on confused and false principles, and it is by an often bitter experience that we finally see the truth a bit more clearly and so find ourselves a little nearer to the Promised Land.  EN2
Father Robinson suggests that this metaphor of the path to salvation is most applicable to the intense debates about the Church's Liturgy over almost 60 years.  It would be fair to conclude that these debates (some have termed them "wars") are but one manifestation of the increasingly polarised state of the Church.  In this little essay, we cannot plumb the philosophical depths of the arguments held by each side, nevertheless observing that these philosophical differences are the substance of the disagreement.  It would be regrettable to describe this debate as political, even though it manifests itself politically and in externals. 

The current phase of these debates presents irreconcilable differences - each side deems the other to be in an indefensible situation and harming the good of the Church.  This is debated continuously and often heatedly, on the wide-world of the Web.  The subject matter is so familiar to readers, that it is unnecessary to mention the small details, but merely to make some observations. 


OPPOSING POSITIONS 
There are two opposing positions (with many variations) in this particular battle of the Liturgy Wars.  

The first position is a rejection of the notion that the Roman Rite has two forms, Ordinary and Extraordinary, since this is deemed to be contrary to the decisions of the Second Vatican Council.   EN3  The notion is to be corrected by the suppression of that form which preceded the Council (the Extraordinary Form of the Roman Rite), regardless of the confusion or scandal that might be caused in the process.  

The opposing position is that the Rites which were promulgated after the conclusion of the Council (the Ordinary Form of the Roman Rite) were an illegitimate and fraudulent exercise in ecclesiastical authority, which cast aside Tradition for misguided ideological ends; the remedy, therefore, is that those revised Rites be suppressed, regardless of the practical difficulty of doing so. 

There are loud voices making clear these two positions, but not everyone who takes an interest in these matters holds to one or the other of the two positions. Many are disturbed by the intensity in which these two positions are debated. 

The Catholic World is not divided into Defenders of Liturgical Tradition and its Opponents.  There are many debates in the Church and perhaps they are underpinned by the same divergent philosophies.  Defenders of a strict liturgical Tradition are not numerous in the sum of the Church's Faithful and they seem mainly to be voices of the Western World. The Churches of Africa, Asia and South America do not seem to be deeply involved in these liturgical debates and are largely content with the revised Rites which emerged after 1969.  We might be mindful that the Faithful in these continents comprise a large number of the world's Catholics. 

BUILDING UP THE SACRED 
In his instruction Desiderio desideravi, the present Bishop of Rome wished to encourage a culture where the Sacred Liturgy is celebrated with sacrality and due decorum and that the Faithful be well-formed in what takes places when they gather to celebrate the Rites of the Church. This is an admirable aspiration, which aligns with the teachings of the Second Vatican Council on the Sacred Liturgy and, indeed, the teachings of previous Popes. But, unfortunately, the same vigour with which the Holy See acts to restrict the celebration of the former Missal is not also applied to the much more numerous and widespread abuses - worldwide - in the manner of celebrating the Revised Rites. The failure to act against these abuses - some of them sacrilegious - undermines what the Bishop of Rome claims he has "desired with a great longing". 

Also detracting from claims made in Traditionis Custodes and Desiderio desideravi is a vast body of reputable scholarship discussing the development of the Revised Rites and the ideology underpinning those revisions. It is no longer credible simply to assert that the New Order of Mass is the "unique" expression of the Roman Rite, nor to claim that it is completely consonant with the Tradition of the Church's liturgical prayer and ritual gestures. It is well that these objections be understood and not be dismissed out of hand as the ravings of agitators and arch-conservatives. 

It must also be remembered, on the other hand, that for the majority of Catholics, such scholarship is not relevant to their faith-lives. The majority of Catholics are content with the state of the Church's Liturgy as they experience it each week. Some, however, are more disposed to a re-sacralisation of the Rites than others.  Priests who celebrate both forms of the Roman Rite may not have the luxury to choose one to the exclusion of the other, nor think it desirable.

MAKING THE SAME MISTAKES 
Those who are convinced that the Church is going to abandon the Revised Rites in favour of a more strict liturgical Tradition are going to be disappointed. And those who believe that they can stifle the aspirations of Faithful Catholics with authoritarian acts of ritual repression will also be disappointed. When insufficient magnanimity underpins both positions, neither can expect or deserve success. 

It is justly pointed out that the perilous speed in which the revision of the Church's principal rites was carried out in the period 1965 - 1969 was harmful to the Church. Pope Benedict, in criticising the Revisions, noted a mentality which produced a "banal product of the moment".  EN4  These insightful words have been conveniently ignored. 

In the fifty or so years since, there have been too many changes in the Liturgy for the Faithful adequately to accommodate.  A liturgical spirituality cannot be formed in a milieu of ongoing adaptations and the frequent introduction of new music and liturgical texts.  In the West, the results of this are all-too evident. Why then, would the solution be to introduce another raft of changes, aimed at reversing those revisions? Why would that be any more prudent and less disruptive? 

FEWER DOCUMENTS AND MORE REAL DIALOGUE 
A stalemate is not quite the end of the matter, however, nor is that a Christian manner of resolving disagreements. We might hope for (but not expect soon), dialogue, rather than pronouncements from on high, whilst noting that this issue will not figure at all in the opaque discussions of the much-vaunted Synod on Synodality.  At this moment, Authority is interested in only certain debates.  

Everyone who takes the view that a "Reform of the Reform" is needed, has his or her own ideas on what form that should take. Might it not be best, however, that the future of liturgical reform be taken slowly, carefully and with greater charity on all sides? Those agitating for complete suppression of the Revised Rites might take a step backwards to reflect on wider realities within the Church.  Similarly, the Holy See should allow the more ancient Rites of the Church to be celebrated without paranoid restrictions and cease the unpastoral ostracisation and misrepresentation of its adherents.  The sanctification of the Church through its Sacred Liturgy is not well-served by ideological attempts to deny realities, even with the noble motives and aspirations. We should hope and pray for a ceasefire in these Liturgy Wars.  

Over a passage of years - not even the blink of an eye in God's time - it will become obvious, more acceptable, that aspects of the Revised Rites are a product of an era which is gone and no longer enriching to the Church, or providing what is needed to draw souls to Christ.  And those who have defended (should we write "imposed"?) those Revisions so emphatically will also be gone.  A reform of the Roman Rite is necessary and desirable, but can only be attempted at a moment free from rancour.  The process of Reform should not be limited to discussions between liturgical scholars, nor should the experiences of the last sixty years  - good and bad - simply be set aside, as if they never took place.  Learning from collective mistakes and setting aside imperfect premises, such a reform might be undertaken carefully, rooted in Tradition, but with pastoral sensitivity, one cautious step at a time, and backward. 

We advance to the truth by experience of error; we succeed through failures. We know not how to do right except by having done wrong. We call virtue a mean, that is, as considering it to lie between things that are wrong. We know what is right, not positively, but negatively; we do not see the truth at once and make towards it, but we fall upon and try error, and find it is not the truth. We grope about by touch, not by sight, and so by a miserable experience exhaust the possible modes of acting till naught is left, but truth, remaining. Such is the process by which we succeed; we walk to Heaven backward. 
 Saint J.H. Newman "Parochial and Plain Sermons" Vol. 5, no. 8. 

 

Figure 2.  A scene at the Second Vatican Council.



END-NOTES

EN1  Robinson, Jonathon, The Mass and Modernity : Walking to Heaven Backward, Ignatius Press, San Francisco 2005.

EN2  Robinson, op.cit., page 344.

EN3   The terms Ordinary and Extraordinary as applied to the Mass of the Roman Rite originated in 2007 with Pope Benedict's motu proprio Summorum Pontificum.  In this essay, we will refer to the Ordinary form as The Revised Rites since we are also discussing the revised liturgical books of the Sacraments, Episcopal ceremonies &c.

EN4  The following article is an investigation of the words written by the then Cardinal Ratzinger : https://sharonkabel.com/post/ratzinger-fabricated-liturgy/

AMDG

Wednesday, 2 November 2022

The Commemoration of All the Faithful Departed

Black vestments


The Studio has completed this set of black vestments in the Saint Philip Neri style.

The vestments are extremely simple, but in the classic Roman style of ornament. A black damask was used for these vestments, ornamented with braids in burgundy and gold and lined in wine-red taffeta.

May the souls of all the Faithful Departed, through the mercy of God, rest in peace. Amen.

Please click on the image for an enlarged view.

Enquiries : stbede62@gmail.com 

Monday, 31 October 2022

The month of October

The Saint Bede Studio
At the conclusion of October, the month of the Blessed Virgin Mary, the Saint Bede Studio is pleased to present this set of Marian vestments made for a returning customer, a priest in the United States. It is an adapted form of the Saint Philip Neri style.

The vestments were made from a brocade with a large-scale woven design in the colour of ivory. The front of the chasuble was ornamented with a stylised form of the Roman TAU, but the back of the chasuble was formed into a Cross.

This ornament was formed from a beautiful silk damask in a subtle shade of blue, outlined with one of the Studio's unique braids, Saint Barnabas, in the colours of straw-gold and lighter blue.  

At the intersection of the Cross on the chasuble back, an embroidered medallion with the letters BVM interlocked was placed.  The vestments were lined with taffeta in a shade to match the orphrey.

Marian vestments


Click on the images for an enlarged view.

Enquiries : Visit this page

The Saint Bede Studio

Marian vestments

The Saint Bede Studio



AMDG

Wednesday, 26 October 2022

Jubilee Vestments

Festal vestments
Mass celebrated in Saint Mary's
Cathedral Sydney celebrated
by Archbishop Fisher OP.
In August 2021, in the midst of a COVID Pandemic lockdown, the Order of Preachers in Australia celebrated the Jubilee of the death of Saint Dominic.  A special set of vestments was commissioned with the Saint Bede Studio for this Jubilee and was used at a Mass celebrated in Saint Mary's Cathedral by the Archbishop of Sydney, Most Rev'd Anthony Fisher OP.  The vestments are now in the care of the Dominican Community at Glebe, an inner-city suburb of Sydney.

These ample vestments were made from a lovely silk brocade in colours of white and muted gold.  They were ornamented in the Roman manner with a TAU formed from one of the Studio's braids, Saint Columba, outlined with a golden galloon.  The vestments were fully lined in a rust red taffeta.

Please click on the images for an enlarged view.

Enquiries Visit this page

The Saint Bede Studio



Festal vestments



The Saint Bede Studio
Before Mass in Saint Mary's Cathedral,
the Archbishop of Sydney blessed the new vestments.


Festal vestments


Monday, 24 October 2022

Bi-centenary of Saint Mary's Cathedral Sydney 1821 - 2021

The editor of this blog was approached to assist the staff of the newspaper of the Archdiocese of Sydney The Catholic Weekly in the preparation of a special edition commemorative of the Bi-centenary of Saint Mary's Cathedral.

This commemorative edition has now been published and an online version of it may be viewed here.

In diebus illis
Old Saint Mary's as it appeared in the early 1840s.
Image : The Saint Bede Studio

Four special articles were written about old Saint Mary' Cathedral (1821-1865).  Some of the information has already appeared on our other Catholic history blog In diebus illis, but special images were prepared to illustrate the articles.

Since every word had to count in limited print space, I was not able to mention those who assisted me in this project.  I wish to do so here.

Mr Brian Andrews of Tasmania

Dr Lienntje Cornelissen, Sydney Archdiocesan Archivist

Mr Giovanni Portelli, Catholic photographer

The Very Rev'd Donald Richardson, Dean of Saint Mary's Cathedral

Staff of Special Collections, State Library of New South Wales

Mr Simon Fieldhouse, Sydney artist

Prof. James Franklin, Vice-President of the Australian Catholic Historical Society.

Mr Peter Rosengren, editor of the Catholic Weekly.

The Friends of Saint Mary's Cathedral.

Various encouragers known to the editor.


AMDG

Saturday, 22 October 2022

ORDINANDS 2023

2023 is not far off, so if you are interested in commissioning vestments with the Saint Bede Studio for your Ordination next year, NOW is the time to contact us to begin discussions.

Every year - regretfully - we have to refuse work from ordinands because they have left enquiries too late for us to fit into our over-crowded schedule.

Contact us now to avoid disappointment.  

Please show this notice to ordinands who may be thinking of vestments.

Enquiries : stbede62@gmail.com

Tuesday, 18 October 2022

Gothic Revival Festal Vestments

Gothic Revival vestments
The vestments shewn in the adjacent photographs were prepared by the Saint Bede Studio for a priest from the United States, a returning customer.

This chasuble was tailored in the Studio's Saint Giles design, a variant on the Gothic Revival chasuble.  The vestments were made from a brocade in colours of ivory and burgundy upon old gold.  They were lined in red taffeta.

The vestments were ornamented with an orphrey braid of the Studio's own design in colours of red and gold upon blue. The braid called Saint Chad is directly based on a design by AWN Pugin.

Click on the images for an enlarged view.

Enquiries Visit this page

The Saint Bede Studio

The Saint Bede Studio

Gothic Revival Vestments