After a year of ups and downs for the Saint Bede Studio, this Appreciation, offered by one of our American customers, we are pleased to share again with our readers :
Up until recently, it seems that major producers of liturgical vesture were more intent on recreating the Catholic aesthetic rather than reverencing it: catering to fads and novelty, rather than appealing to beauty and tradition. Now, however, we can be grateful that truly dignified vesture is becoming more readily available to those concerned with cultivating authentic Catholic worship. The Saint Bede Studio has firmly established its place within this renewal, through the intelligently researched and carefully executed efforts of the Studio's proprietor, Michael Sternbeck. His workmanship and professionalism is to be highly commended, and customers will discover all those qualities to be expected in any true art: attention to detail, expert knowledge of methods, and quality materials. Not unimportantly, in the Saint Bede Studio we have Catholic artisans working only for the Catholic Church.
A further word about materials is needed, however. One of Saint Bede's most treasured assets must be its wide range of orphrey braids. These are designed by the Studio for the Studio's vestment-making use. Few other producers of worthy Catholic vesture have access to materials made only for themselves. Without exaggeration, then, these unique braids thereby distinguish the Saint Bede Studio from every other producer of liturgical vesture. Certainly anyone in search of exceptional quality vesture of the Gothic Revival need look no further than the Saint Bede Studio. Still, as customers have come to understand, the work of the Studio hardly limits itself to this one style alone.
In the end, we can only be hopeful that renewal of Catholic worship will continue in many places. Quite simply, the Saint Bede Studio is to be highly, highly recommended. May God continue to bless and sustain its work: ut in omnibus glorificetur Deus.
A further word about materials is needed, however. One of Saint Bede's most treasured assets must be its wide range of orphrey braids. These are designed by the Studio for the Studio's vestment-making use. Few other producers of worthy Catholic vesture have access to materials made only for themselves. Without exaggeration, then, these unique braids thereby distinguish the Saint Bede Studio from every other producer of liturgical vesture. Certainly anyone in search of exceptional quality vesture of the Gothic Revival need look no further than the Saint Bede Studio. Still, as customers have come to understand, the work of the Studio hardly limits itself to this one style alone.