Festal chasuble in the Borromeon style

In this post, the Studio is pleased to present a set of festal vestments, in that style known as Borromeon.  The vestments were made from a cream-coloured silk and fully-lined in a lemon-coloured taffeta.

This chasuble is ornamented in the well-known Roman style, being the TAU at the front and a column at the back, formed by one of the Studio's unique braids Saint Columba and an outlining gold galloon.  

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Information on placing an order.

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Our Ladye of Mount Carmel

On this beautiful Feast of Our Ladye of Mount Carmel, we are pleased to present these images of one of the Studio's most popular sets of vestments, which we call Ave Maris Stella.  This is made in various Gothic styles and from different fabrics, but always and is ornamented with the now-familiar braid.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Although not directly-based on the work of the Gothic designer AWN Pugin, this braid incorporates Puginesque elements.  No matter whether you shop for your vestments in Poland, India, England or America, you will not find another braid like Stella.  It is just one of the Saint Bede Studio's unique braids, designed by the writer of this blog and made exclusively for the Studio's use.

Click on the images for an enlarged view. 

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Enquiries.

Information on placing an order.

Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG

The Season Per Annum 2025 : 15

In this post is depicted a set of vestments in a subtle shade of green brocade and ornamented with the Studio's Sancte Deus orphrey braid.  This braid is in the distinctive colours of deep blue and ivory upon a green background. 

This set of vestments is distinct from the Studio usual offerings.  The chasuble is unlined, but sturdily faced on the inside of the neckline.  The ornament is in the form of a TAU, arranged with braid.  Although it was designed as a concelebration set, nothing would prevent its use on ferial days.

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Information on placing an order.

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

The Season Per Annum 2025 : 14

 

For this post, we are pleased to present a set of green vestments, made in the traditional Roman style.  The vestments are made from a beautiful green brocade and fully-lined in a deep shade of olive silk.  The chasuble in this post is ornamented in the well-known Roman style, a TAU at the front and a column at the back, formed by a brocade in rose and old gold and an outlining burgundy and gold galloon. 

The chasuble is in the Studio's Saint Philip Neri style, which is the product of years of research into historical vestments and refinement of dimensions for comfortable use.  The Studio revived this more ample 16th century style of the Roman chasuble in 2007 and since then we have made many of them.  Beware of poorly-made imitations!

Click on the images for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Information on placing an order.

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

On the happy Feast of Saint Benedict

In this post we are pleased to present this beautiful set of festal vestments.  These vestments were made from a European brocade with a gold figured design on an ivory background. Fully-lined in a shade of dark red taffeta, the chasuble is ornamented with a silk damask in colours of old gold upon wine-red. A galloon of burgundy and straw-gold outlines the TAU ornament at the front of the chasuble and the column at the back.

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

The chasuble is in the Studio's Borromeon style, which is the product of years of research into historical vestments and refinement of dimensions for comfortable use.  

Click on the images for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Information on placing an order.

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

A Prayer for Zealous Shepherds

Thanks to Father Finigan we found this beautiful prayer of Saint John Fisher, dating from the year 1508, which he uttered during a Sermon. It is a prayer for the appointment to the Church of good bishops. Unfortunately the prayer was not answered as fully as he might have hoped. John Fisher, Bishop of Rochester since 1504, was the only Bishop in Catholic England to refuse to assent to the Act of Supremacy, the supreme arrogation of the vile despot Henry VIII (Tudor), severing England from Communion with the Roman Church. For such a refusal, Fisher was put to death by the tyrant in June 1535.  Pope Paul III had made him a Cardinal shortly before his death. Pope Pius XI canonised him four hundred years later (together with Sir Thomas More).

The portrait accompanying this post is described here . Based on Holbein's famous drawing, this portrait might easily be a photograph taken yesterday, so lifelike is it.

Lord, according to Your promise that the Gospel should be preached throughout the whole world, raise up men fit for such work. The Apostles were but soft and yielding clay till they were baked hard by the fire of the Holy Ghost.

So, good Lord, do now in like manner again with Thy Church militant; change and make the soft and slippery earth into hard stone; set in Thy Church strong and mighty pillars that may suffer and endure great labours, watching, poverty, thirst, hunger, cold and heat; which also shall not fear the threatening of princes, persecution, neither death but always persuade and think with themselves to suffer with a good will, slanders, shame, and all kinds of torments, for the glory and laud of Thy Holy Name. By this manner, good Lord, the truth of Thy Gospel shall be preached throughout all the world.

Therefore, merciful Lord, exercise Thy mercy, show it indeed upon Thy Church.

AMDG

The Season Per Annum 2025 : 13

The vestments in this post were made from an ecclesiastical brocade in a muted shade of green and fully-lined in crimson-red taffeta.  The Saint Bede Studio has made such vestments on many occasions now and also matching dalmatics.  The combination of colours has been found very attractive by our customers.

The vestments are ornamented with one of the Studio's unique braids, being a replica of a design by AWN Pugin; it is called Saint Chad.  Notice how this braid is arranged : the greatest care is taken with all our vestments to ensure that braids are precisely and harmoniously aligned, not cutting away design elements.  

In the attached image, you can see how carefully the green medallions of this braid are arranged.  

In this instance, the chasuble is worn with an apparel in the mediaeval style, using the same orphrey braid and forming a collar attached to the amice, not to the chasuble.

Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

The Feast of S' Thomas the Apostle

In this post, we are pleased to present a set of vestments of dignified appearance, made in the traditional Roman style.  The vestments are made from a splendid crimson-red brocade and fully-lined in a dark purple shade of taffeta.  The chasuble in this post is ornamented in the well-known Roman style, a TAU at the front and a column at the back, formed simply by an outlining bronze-coloured galloon. 

These vestments are in the Studio's Saint Philip Neri style, which is the product of years of research into historical vestments and refinement of dimensions for comfortable use.  The Studio revived this more ample 16th century style of the Roman chasuble in 2007 and since then we have made many of them.  Beware of poorly-made imitations!

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Click on the images for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Information on placing an order.

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

The Revision of the Roman Rite : 1964 - 1970

Celebration of Mass according to
the 1965 Missale Romanum.

Among the many over-reaching claims made during the Troubles of the twelve years happily concluded is one that stated that the revisions of the Roman Rite - specifically those which took place in and after the year 1969 - are "irreformable".  Only those who try to ignore or hide history could possibly come up with such a statement.  Graves and funerary monuments abound of those who considered their work to be permanent or irreformable.  Perhaps this is a small consolation for those still suffering the after-effects of Traditionis Custodes.

One of the lessons to be learned, however, from the Revision of the Liturgical books, which took place (mainly) between the years 1965 - 1970 is that changes took place in stages.

The first stage - introducing vernacular into the Rite of Mass and the celebration of the Sacraments was very dramatic and well-received.  Why it was so popular would bear a great deal of discussion, beyond the scope of this brief overview.  But there were no widespread protests against the introduction of the vernacular into the Roman Rite.  It seemed such a good idea, at least at first.  

Changes to the ritual actions of the Mass took place by degrees and - except for the innovation of the celebration of Mass facing the people at freestanding altars, went by without a great deal of handwringing or even attention, except of course for the celebrant and his ministers.  Ritually, so much was altered step-by-step in this period, that when the New Order of Mass came into effect on the First Sunday of Advent, 1969, it was seen quite clearly as just another revision amongst a continuum of revisions. That was the strategy and it was successful.

In a previous post, we presented the first of the Liturgical books to be released as a result of the decree of the Second Vatican Council Sacrosanctum Concilium.  We will continue to examine the many Anglophone Missals which were produced between 1964 and 1968 in further posts. Retrospectively, the form of the Roman Rite which existed between these two years has become known as the Interim Rite.  During those years, of course, such a term was not known, since that would have given the game away.  Except for those working behind the scenes, no one in 1964 / 65 would have believed that the Roman Rite would have been so drastically altered, such that Old and New bear only a basic resemblance.

For a younger generation the Missals of the so-called Interim Rite are largely unknown.  They make for a most interesting study.

The celebrant giving the Blessing during a
celebration of the Mass of the "Interim Rite".
The missal resting upon the altar is one of the Latin & vernacular
editions 1965-1968.

AMDG  

On the Feast of the Most Precious Blood

On this beautiful Feast, the Saint Bede Studio is pleased to present this image of a set of red vestments, the colour used for the Apostles, Martyrs and the Passion.  Even though this Feast is no longer in the Universal Calendar, many will still commemorate it.

The set was made from dupion silk in a subdued shade of red.  It is not the fiery  red used for the Feasts of the Holy Spirit, but closer to colour of blood.  The vestments were ornamented in the Roman style, with a TAU at the front and a column at the back, formed from a damask in colours of red and straw gold and an outlining galloon.  The lining was made of bronze-coloured taffeta.

The chasuble is in the Studio's Saint Philip Neri style, which is the product of years of research into historical vestments and refinement of dimensions for comfortable use.  The Studio revived this more ample 16th century style of the Roman chasuble in 2007 and since then we have made many of them.  Beware of poorly-designed imitations!

The work of the Saint Bede Studio is distinctive for its artistic qualities and the pains taken with every detail, such as the alignment of ornaments.  Even a restrained set of vestments like this is striking for its combination of colours and fine workmanship.

Click on the images for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG