Newsflash: there is no official shade of Rose designated by the Church, nor has there ever been. The reason for this is rather simple: only in the last century did the process of dyeing fabric become sufficiently sophisticated to ensure that much the same shade of a colour emerged from one batch of fabric dyeing to another. Previous to that, dyes were derived from plants etc., made up with a great deal of labour.
Many different colours have been deemed by the Church as acceptable as liturgical rose. Some of these are a salmon shade; some a silvery-pink, almost mushroom-colour; some close to what we would call Bishop's purple or fuchsia; and some red with overtones of gold.
Another thing is certain: Bubblegum Pink is not Rose, nor has it been a traditional variation for use on these days. Whilst not intending to get into the argument as to whether the use of a such a vibrant pink is a fitting colour for a man to wear, "Bubblegum Pink" certainly manifests a lamentable lack of liturgical good taste. Sadly, pink-coloured vestments, purporting to be Rose, are becoming increasingly commonplace and now even appear at Papal Masses.
At an old post on the Blog, The New Liturgical Movement, we find a number of interesting vestments in that shade of rose commonly found in Italy in centuries past: a reddish colour with overtones of silver. Go there and take a look. The same article also shews the considerable variety of older rose-coloured vestments, in use throughout Europe. Often, embroidered flowers on such vestments was a device used to enhance the "rosiness" of the vestment.
As Gaudete Sunday approaches, we feature here four completely distinct rose vestments. Firstly, this vestment (see above image), made in the Borromeon style from a beautiful English silk damask. The orphrey of this chasuble is formed from a Puginesque braid in shades of burgundy, red and ash-grey.
Click on the image for an enlarged view.