Saturday, 31 May 2025

On the Visitation

The Saint Bede Studio
On this beautiful Feast of the Visitation of the Blessed Virgin Mary, we are pleased to present these images of one of the Studio's most popular sets of vestments, which we call Ave Maris Stella.  This is made in various Gothic styles and from different fabrics, but always and is ornamented with the now-familiar braid.

The Saint Bede Studio : vestments made by Catholics for Catholics.

We should describe this braid, for those who have not followed previous posts closely.  It employs two shades of blue, one a sky blue, the other Royal Blue and upon these two colours, the ornamental design is figured in (non-metallic) gold.

Within a Royal blue quatrefoil (four-leafed flower) is a stylised monogram being the letters MR.  This is the Latin abbreviation of Maria Regina (Mary the Queen).  It was very typical in the Mediaeval period for such monograms to appear as decorative schemes in churches and upon vestments. 

Ave Maris Stella

These quatrefoils alternate with another emblem, which is upon a light blue base.  Here is a crown emphasising the Queenship of the Blessed Virgin.  Below it, in heraldic lettering, is the greeting AVE.  From this is derived the name of this braid and based on the beautiful Marian antiphon Ave Maris Stella (Hail, Star of the Sea).

Running along either side of this orphrey is a row of smaller quatrefoils in gold, upon the Royal Blue base.

Ave Maris Stella

Although not directly-based on the work of the Gothic designer AWN Pugin, this Ave Maris Stella braid incorporates Puginesque elements.  No matter whether you shop for your vestments in Poland, India, England or America, you will not find another braid like Ave Maris Stella.  It is just one of the Saint Bede Studio's unique braids, designed by the writer of this blog and made exclusively for the Studio's use.

Click on the images for an enlarged view. 


The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.


Enquiries.


Information on placing an order.




Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.


AMDG

In Ascensiontide

Saint Philip Neri

In Ascension-tide, we are pleased to continue our series of festal vestments.

For this post, we are pleased to present a very simple set of vestments, made in the traditional Roman style.  The vestments are made from a beautiful ivory brocade and fully-lined in a shade of gold silk.  The chasuble in this post is ornamented in the well-known Roman style, a TAU at the front and a column at the back, formed simply by an out-lining golden galloon. 

The chasuble is in the Studio's Saint Philip Neri style, which is the product of years of research into historical vestments and refinement of dimensions for comfortable use.  The Studio revived this more ample 16th century style of the Roman chasuble in 2007 and since then we have made many of them.  Beware of poorly-made imitations!

Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com



Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Friday, 30 May 2025

Paschaltide 2025 : 8

 

Modern chasuble


This post features a set of vestments in the Studio's nod to contemporary styles.  This style we call Saint Martin.  It is both long and wide and is especially design to fold up beautifully when the arms of the celebrant are elevated (as is shewn in the adjacent image).

Tasteful contemporary vestments are made by certain studios in Italy, France and Germany, but we also make them here in Australia at the Saint Bede Studio.  This set has a simple dignity and is made from high quality fabrics.

An ivory-coloured damask is lined with a lemon-coloured cloth and is ornamented with a brocade in white and straw-gold, forming a TAU in the front and a column at the back.  The TAU is outlined with a narrow golden galloon.

Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com



Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Thursday, 29 May 2025

Ordinands ! Please take note ...

Commissions for the first half of 2026 are now being accepted.
  
Will you be ordained in 2026?

Please do not delay in making an enquiry.  

Places in our schedule are limited. NOW is the time to be in contact with the Studio.  

Enquiries : stbede62@gmail.com

Monday, 26 May 2025

The Feast of Saint Philip Neri

White vestments


In this Holy Easter Season and on the Feast of Saint Philip Neri, we are pleased to present this set of festal vestments.

Made from a simple white brocade and fully-lined in a shade of gold silk, the chasuble in this post is ornamented with a Renaissance brocade in colours of red upon gold.  A galloon of red and straw-gold outlines the TAU ornament. 

The chasuble is in the Studio's Saint Philip Neri style, which is the product of years of research into historical vestments and refinement of dimensions for comfortable use.

Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com



Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

The Lateran Basilica

The Saint Bede Studio
 

On Sunday evening, 25th May, Pope Leo took possession of the Cathedral-church of Rome, the Archbasilica of Saint John Lateran.

It may be noted that for this occasion the Pope wore a chasuble which had been specially crafted for Pope Saint John Paul the Second, and which was also worn by Pope Benedict on a number of occasions.

This beautiful chasuble is enriched with embroideries.


The Saint Bede Studio
Pope Saint John Paul II


The Saint Bede Studio
Pope Benedict XVI

AMDG.

Saturday, 24 May 2025

The Help of Christians

The Saint Bede Studio
On this lovely feast of the Blessed Virgin Mary, the Help of Christians, we are pleased to describe this Marian chasuble being in the Gothic Revival style.

The decorative focus of this vestment is an orphrey braid which is based on the work of AWN Pugin.  This braid, which we call Salve Regina, is produced in two shades of blue (lighter and darker) with figured ornament in gold and white.

These vestments were made from an ecclesiastical damask in the shade of ivory and lined in blue taffeta.



The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Enquiries.

Information on placing an order.


The Saint Bede Studio : vestments made by Catholics for Catholics. 
 

Click on the images for an enlarged view. 


Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG 

Friday, 23 May 2025

In Paschaltide 2025 : 7

In this post, we are pleased to present a glimpse of another set of festal vestments, in the Gothic Revival style.

The Saint Bede Studio
This set is constructed from ecclesiastical brocade and is lined in a shade of lemon taffeta. 

The ornament is formed from matching braids, one wider, one narrow, in colours of crimson and straw-gold upon a green background. This is one of the Studio's unique braids called Saint Edmund and is directly based on a design by AWN Pugin.  It features the sacred monogram " IHS ".

Although not elaborate, this is a beautiful and distinctive set of vestments.


The Saint Bede Studio : vestments made by Catholics for Catholics. 
 

Click on the images for an enlarged view. 


Gothic Revival Vestments

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.

Enquiries.


Information on placing an order.


Please note that posts on this blog are set-up for viewing via a web-browser, not via a mobile phone.

AMDG 


Wednesday, 21 May 2025

In Paschaltide 2025 : 6

In this Easter Season, the Saint Bede Studio is pleased to resume presentations of our festal vestments.

This post features a set of vestments in the Studio's nod to contemporary styles.  This style we call Saint Martin.  It is both long and wide and is especially designed to fold up beautifully when the arms of the celebrant are elevated (as is shewn in the adjacent image).

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.


Festal vestments


Tasteful contemporary vestments are made by certain studios in Italy, France and Germany, but we also make them here in Australia at the Saint Bede Studio.  This set has a simple dignity and is made from high quality fabrics.

A damask in ivory and straw-gold is lined with a crimson-red cloth and is ornamented with one of the Studio's unique braids called Saint George, forming a TAU in the front and a column at the back.  

Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com


Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Tuesday, 20 May 2025

In Paschaltide 2025 : 5

 

Festal vestments


Accessories of a set of Festal vestments made by the Studio.  The set was made from a silk damask in ivory and a very muted shade of gold.  A crimson red taffeta was used to line these vestments.

The Saint Bede Studio takes particular care with the quality of the linings and fringes used for our vestments.  In this instance, a bullion fringe in the colours of burgundy and old gold complements the rich colour of the taffeta lining and picks up the colours of the Cross ornamenting the maniple and stole.

Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com



Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Sunday, 18 May 2025

A New Pontificate

The Saint Bede Studio


On this happy day, being also the birthday of Pope Saint John Paul II, the Pontificate of Pope Leo was liturgically inaugurated with the bestowal of the Pallium and the Fisherman's Ring in a Solemn Mass in Saint Peter's Square.

Feliciter, feliciter.

For this rite, the Pope was vested in a Marian chasuble used by his immediate predecessors and which had made for Saint John Paul II.

The Saint Bede Studio

Ad multos annos !


In Paschaltide 2025 : 4

In this Easter Season, the Saint Bede Studio is pleased to resume presentations of our festal vestments.

This set of festal vestments is made in the Gothic Revival style.  The vestments were made from a brocade of bright white and fully-lined in a taffeta muted-gold in colour.

Gothic Revival Vestments
This chasuble is ornamented in the well-known Gothic style,  formed by an orphrey braid based on the work of A.W.N. Pugin.  The colours of this braid are red and gold, with an outlining galloon in the same thread. 
 
The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.


The Saint Bede Studio

Click on the images for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Information on placing an order.


Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Saturday, 17 May 2025

In Paschaltide 2025 : 3

The Saint Bede Studio
In this post, the Saint Bede Studio is pleased to present a set of festal vestments made in the Gothic Revival style for a Benedictine Priory. The vestments were made from a distinctive brocade in a shade of platinum and fully-lined in crimson taffeta.

The vestments are ornamented with one of the Studio's unique braids, called Saint George, which is in the Gothic Revival style and features the colours of crimson red, burgundy and platinum.  


Click on the images for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.


Gothic Revival Vestments


Enquiries : stbede62@gmail.com


Information on placing an order.


The Saint Bede Studio


Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Friday, 16 May 2025

In Paschaltide 2025 : 2

 

Festal vestments

In this post, we feature a Festal dalmatic and its maniple.  The set was made from a ecclesiastical brocade in ivory.  A muted green taffeta was used to line these vestments, and they were ornamented with one of the Studio's unique braids, called ChiRho.

The Saint Bede Studio takes particular care with all aspects of its vestment-making.  

In this instance, for example, the maniple has been made to an unusually short length in order to be easier for a deacon to wear it adjacent to the dalmatic sleeve.  A long maniple is particularly inconvenient for a deacon, because of his ceremonial actions during Mass.  No regulation requires a maniple to be a particular length, which allows practicality to be a determining factor.  

Click on the image for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com



Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG

Wednesday, 14 May 2025

On Pope Leo XIII (re-posted)

The Saint Bede Studio
On 20th February, 1878, VINCENZO GIOACCHINO RAFFAELE LUIGI PECCI, Cardinal Camerlengo of the Holy Roman Church, was elected Pope by 61 members of the College of Cardinals and took the name Leo XIII.

Vincenzo Pecci was born of noble parents in March 1810 in a village outside of Rome. He was ordained a priest in 1837. His brother was also a priest. He received a number of important appointments from Pope Gregory XVI and in 1843 was appointed as Nuncio to Belgium; but he returned to Italy as Bishop of Perugia in 1846. He was named to the Sacred College by Pope Pius IX in 1853.

Click on the images for an enlarged view.

The Saint Bede Studio

Leo XIII was the longest-lived pope in history; was the first pope to be born in the 19th century and the first pope of the 20th century. He was the first Pope to be filmed and the first to have his voice recorded.  These films and recordings are still preserved and readily available with an internet search.  He remained in good health into extreme old age, dying at the age of 93 in July, 1903.  At his own request, Pope Leo was buried in the Lateran Basilica; this occurred 20 years after his death.

It was Pope Leo who composed the famous prayer to Saint Michael the Archangel recited after Low Mass. 

A useful synopsis of his life and the achievements of his Papacy can be found here


The Saint Bede Studio
Figure 3 (above)
This is the Papal Mantum, a longer version of the cope, which was made for
Pope Leo XIII in 1880. It is made of cream silk interwoven with spun silver thread
and elaborately embellished with goldwork.



The Saint Bede Studio
Figure 4 (above)
Engraving of a Consistory for the Creation of ten Cardinals
held in November 1884.  Pope Leo is depicted sitting at
the canopied throne.


The Saint Bede Studio
Figure 5 (above)
A set of Papal Sandals of Leo XIII, made in 1880.
These were intended for ceremonial use and not daily footwear. 

The Saint Bede Studio
Figure 6 (above)
Pope Leo carrying the Blessed Sacrament in procession through the Sala Regia
of the Vatican Palace. An engraving of the 1880's.

The Saint Bede Studio
Figure 7 (above)
Pope Leo XIII seated in the 17th century throne
designed by Bernini for Pope Innocent X.

The Saint Bede Studio
Figure 8 (above)
This magnificent Processional Cross in the Art Nouveau style
was made in France and presented to Pope Leo in 1887
to mark the Golden Jubilee of his Priestly Ordination.

The Saint Bede Studio
Figure 9 (above) and Figure 10 (below)
Two extremely rare photographs of Pope Leo 
after offering Low Mass, taken in the 1890s.

Figure 9 shews the Pope kneeling at a faldstool 
before the altar of the Sistine Chapel.

Figure 10 shews the Pope in his private chapel
blessing members of the Apostolic Chamber.

It is likely that the Papal Guards shewn in both photographs are the same men.

The Saint Bede Studio



The Saint Bede Studio
Figure 10 (above)
This magnificent portrait of Pope Leo was painted towards
the end of his life.


The Saint Bede Studio

Figure 11 (above)
Coat of Arms of Leo XIII.

AMDG

Tuesday, 13 May 2025

A Prayer for God's Blessing upon Pope Leo XIV

 

The Saint Bede Studio

This prayer has been approved for publication by the Bishop of Maitland & Newcastle (Australia).

Monday, 12 May 2025

In Paschaltide 2025 : 1

In this Easter Season, the Saint Bede Studio is pleased to resume presentations of our festal vestments.

This set is made in the style now associated with Saint Philip Neri : the Italian style of the 16th and early 17th centuries.  The vestments were made from a brocade of gold silk and metallic thread and fully-lined in a taffeta muted-gold in colour.

This chasuble is ornamented in the well-known Roman style, being the TAU at the front and a column at the back, formed by a rich brocade in colours of ivory and golden thread, with an outlining galloon. 
 

The Saint Bede Studio

The vestments of the Saint Bede Studio are beautiful in design, sound in construction and distinctive in appearance.


Saint Philip Neri

Click on the images for an enlarged view.

The Saint Bede Studio : vestments made by Catholics for Catholics.

Enquiries : stbede62@gmail.com

Information on placing an order.


Please note that posts on this blog are set-up for optimal viewing via a web-browser, not via a mobile phone.

AMDG


Friday, 9 May 2025

HABEMUS PAPAM

The Saint Bede Studio


May God bless the new Pope, Leo XIV, and all the Faithful worldwide on this momentous day.

AMDG


Esteemed readers of this Blog : our Papal Retrospective has now been concluded.  There will be a break of several days from posts to allow life at the Saint Bede Studio to return to normal.


Thursday, 8 May 2025

Papal Retrospective : Pope Benedict XVI (2005 - 2013)

The Saint Bede Studio
On 19th April, 2005,  JOSEPH ALOISIUS RATZINGER, Cardinal-Dean of the Sacred College of Cardinals, was elected Pope by 115 members of the College and took the name Benedict, recalling his World War One predecessor.  His election had been hoped for by many, but thought unlikely because of his advanced age.  Following the reign of a Polish Pope, the election of a German Pope closed the circle of the experience of World War Two.

Joseph Ratzinger was born in the town of Marktl am Inn, Germany on 16th April 1927.  From a staunch Catholic family, the Nazi regime drafted him into military service when he was 16, but he deserted the Army shortly before the end of the European war.  Commencing studies for the priesthood after the war, he was ordained in 1951, but continued as a scholar, teacher and writer at various German Universities.  He was a peritus at the Second Vatican Council where his views were seen as progressive.  In 1977, he was appointed archbishop of Munich and Freising and was created a Cardinal in the last Consistory of Pope Paul VI in June 1977.  After a few years, Pope John Paul II  brought the scholarly Cardinal to Rome and the two worked together in great harmony and personal friendship until the death of the Pope in 2005. 

Benedict XVI was a gracious and prudent man.  He was also a man of deep learning and the author of many books.  His was the greatest intellect of any Pope in modern history, even considering that of his immediate predecessor John Paul II.  At an advanced age and in poor health, Pope Benedict made the startling decision to Renounce the Petrine Office in February 2013 and live in retirement in a small residence in the Vatican Gardens.  Making some appearances in these years of retirement, such that he was never forgotten, he died as a much-beloved grandfather of the Church on 31st December, 2022 and is buried in the crypt of Saint Peter's Basilica. 

A useful but not exhaustive summary of his life may be found here.

Please click on the images for an enlarged view.


Pope Benedict XVI vestments
The adjacent photograph was taken at the Mass of the Rings
in Saint Peter's, following Joseph Ratzinger's creation as
a Cardinal-priest in 1977 by Pope Paul VI. 
At this time, Cardinal Ratzinger was Archbishop of Munich.



Good Friday 2004.  
When John Paul had become too infirm to offer Mass publicly,
he was frequently assisted by his friend,
the Dean of the College of Cardinals,
Joseph Cardinal Ratzinger.

In the first two years or so of the Pontificate of Pope Benedict, a whole new range of Papal vestments was introduced by the then Prefect of Pontifical Ceremonies, Monsignor Piero Marini.  

Pope Benedict XVI vestments
Pope Benedicit
during a Lenten liturgy 2006

   

Pope Benedict XVI vestments
An unusual purple cope
worn by Pope Benedict for Vespers
Advent 2006.



Pope Benedict XVI vestments
This beautiful straw-gold cope and mitre
matched a set of Eucharistic vestments
previously used by John Paul II.

The photograph below depicts Pope Benedict during Vespers at the Basilica of Saint Paul's-Without-the-Walls on the Feast of Saints Peter and Paul.  This magnificent cope - which had matching dalmatics - was recently worn by the Cardinal-Camerlengo when the remains of the late Pope were brought solemnly into Saint Peter's Basilica.

Pope Benedict XVI vestments


After Monsignor Guido Marini was appointed Papal Master of Ceremonies in 2007, there was an increased use by Pope Benedict of historic chasubles, copes and mitres from the Papal Treasury. In the following two photographs, we feature two such mitres.

The first mitre was made for Pope Piux IX (1846 - 1878) to coincide with the promulgation of the Definition of the Immaculate Conception in 1854. The mitre features pictorial embroideries of the Blessed Virgin and the Christ the Good Shepherd. The mitre had subsequently been used by Pope John Paul II. A little known fact about Pius IX is that he did not favour very tall mitres, but something more proportionate.


Pope Benedict XVI vestments
Mitre of Pope Pius IX

The second mitre was made for Pope Benedict XV (1914-1922) and which was subsequently used by  Pius XII, John XXIII and Paul VI. This splendid jewelled mitre preserves the traditional form for the ornamentation of a mitre: the circulus and titulus, namely those bands of ornament running around the head and vertically up the centre of the mitre.  Unhappily, many baroque mitres abandoned this ancient ornament in favour of something far less tasteful.  


Pope Benedict XVI vestments
Mitre of Pope Benedict XV.


During a visit to Venice, Benedict XVI was presented with a magnificent chasuble set with matching mitre.  The vestments were inspired by mediaeval originals, although in a modern interpretation.  In 2012, Pope Benedict wore these vestments again, but this time also using the Papal Fanon: a distinctive shoulder cape reserved solely to the use of the Supreme Pontiff.  


Pope Benedict XVI vestments
Pope Benedict wearing the Papal Fanon 2012.


The photograph below depicts a remarkable set of vestments, made from a reproduction of a Renaissance damask, which was used in the venerable Basilica of Santa Sabina on Ash Wednesday 2009.  Matching dalmatics are also shewn.

Being a Penitential day, the Pope wore the mitra simplex with these vestments.  It is believed that the late Pope was vested in this mitre (or one identical with it) for his laying-in-state and burial.


Pope Benedict XVI vestments
Pope Benedict imposing the ashes
Santa Sabina 2009.


On the occasion of his visit to the Benedictine Abbey of Monte Cassino in May 2009, the late Pope Benedict was presented with sets of vestments.  The presentation consisted of a chasuble, mitre, cope and matching dalmatics.  In their ornamentation, these vestments are very much in the character of the style of vestments used in Italy in the 13th century, although the cut of the chasuble is Borromeon.  Concerning the mitre, it was made from a white silk damask and its orphrey (properly called the circulus and titulus) is also formed from hand-embroidered gold silk.   


Pope Benedict XVI vestments
Candlemas at Saint Peter's February 2013


Pope Benedict XVI vestments





Papal vestments
Epiphany 2010:
This is the chasuble in which Ss. John XXIII 
& Paul VI were crowned as Pope.
On a man of the stature and build of Pope Benedict these chasubles,
cut in the Roman style of the 18th century,
usually looked dignified and rich.


After 2007, there was an increased use by Pope Benedict of historic chasubles, copes and mitres from the Papal Treasury. In the photograph below is depicted a famous cope, which made for Pope S. John XXIII.

The Papal Cope was formerly a very long garment, trailing upon the ground.  It was called the mantum.  The mantum of S. John XXIII was worn at the Solemn Opening of the Second Vatican Council in 1962.  It was also used during the early years of the reign of Pope Paul VI.

The cope is made of white silk interwoven with threads of spun gold.  It is also embroidered with gold bullion.  The photograph clearly shew the coat of arms of S. John XXIII. It appears that the mantum was shortened at some stage, since it no longer falls in folds upon the ground.

Pope Benedict XVI vestments


In Saint Mary’s Cathedral, Sydney, on Saturday 19th July 2008, Pope Benedict celebrated Pontifical Mass with the Australian Bishops for seminarians and religious novices.  This was part of the Pope's three-day visit to Australia on the occasion of World Youth Day.

The vestments and mitre worn by Pope Benedict for this Papal Mass, together with the dalmatics of the deacons-assistant were designed and made by the Saint Bede Studio, by the commission of the Archdiocese of Sydney and the Holy See.  They are now kept in the Papal Sacristy of Saint Peter's Basilica.


Pope Benedict XVI
Pope Benedict is greeted by a Religious Sister
after an Address of Welcome.




AMDG