Adjacent is pictured another the new set of vestments recently completed by the Studio in the Saint Philip Neri style.
A brocade in a deep shade of violet was used for these vestments. The ornamentation - according to the Roman style - was formed from the same brocade in a shade of crimson, outlined with a braid in colours of burgundy, red and grey. The absence of any gold ornament was intended as a design feature of these vestments. The chasuble is lined in deep-red taffeta intended to support the colour of the orphrey.
The vestments described in this post were commissioned - together with a number of other vestments - for a Monastic Community in Brazil.
Click on the image for an enlarged view.
Enquiries: stbede62@gmail.com
Saturday, 28 November 2015
Sunday, 22 November 2015
Commission for 2016
Re-posted from 16th August, 3rd September and 12th October
Owing to an unprecedented amount of Commissions for new vestments received by the Saint Bede Studio in the last several months, we wish to advise that our schedule of work for the period January - November 2016 is now closed. We regret any disappointment this may cause to those who have not yet made enquiries with us.
The Studio has commenced accepting commissions for 2017.
Owing to an unprecedented amount of Commissions for new vestments received by the Saint Bede Studio in the last several months, we wish to advise that our schedule of work for the period January - November 2016 is now closed. We regret any disappointment this may cause to those who have not yet made enquiries with us.
The Studio has commenced accepting commissions for 2017.
Friday, 20 November 2015
Festal Vestments in the 16th Century Style
Adjacent is pictured the new set of vestments recently completed by the Studio in the Saint Philip Neri style.
An ivory-coloured damask was used for these vestments. The ornamentation - according to the Roman style - was formed from silk damask in a shade of crimson, outlined with a braid in colours of burgundy, red and ivory. The braid is one of the Studio's unique designs. The chasuble is lined in red taffeta intended to support the colour of the orphrey.
The vestments described in this post were commissioned - together with a number of other vestments - for a Monastic Community in Brazil.
Click on the image for an enlarged view.
Enquiries: stbede62@gmail.com
An ivory-coloured damask was used for these vestments. The ornamentation - according to the Roman style - was formed from silk damask in a shade of crimson, outlined with a braid in colours of burgundy, red and ivory. The braid is one of the Studio's unique designs. The chasuble is lined in red taffeta intended to support the colour of the orphrey.
The vestments described in this post were commissioned - together with a number of other vestments - for a Monastic Community in Brazil.
Click on the image for an enlarged view.
Enquiries: stbede62@gmail.com
Monday, 16 November 2015
For the Season " Per Annum " 2015 : 3
The vestments described in this post were commissioned - together with a number of other vestments - for a Monastic Community in Brazil. Adjacent is pictured the new set of vestments in the Borromeon style.
A remnant of old silk damask in an unusual shade of moss green was used for these vestments and special care was taken to ornament them in a manner which enhanced the distinctive qualities of the damask.
The ornamentation was formed from dupion silk in a shade of teal or turquoise, outlined with a narrow braid in black and gold and enhanced with applique also in black and gold. The ornament is arranged to form a small TAU orphrey. The chasuble is lined in taffeta in a shade slightly lighter than the colour of the orphrey.
Click on the image for an enlarged view.
Enquiries: stbede62@gmail.com
A remnant of old silk damask in an unusual shade of moss green was used for these vestments and special care was taken to ornament them in a manner which enhanced the distinctive qualities of the damask.
The ornamentation was formed from dupion silk in a shade of teal or turquoise, outlined with a narrow braid in black and gold and enhanced with applique also in black and gold. The ornament is arranged to form a small TAU orphrey. The chasuble is lined in taffeta in a shade slightly lighter than the colour of the orphrey.
Click on the image for an enlarged view.
Enquiries: stbede62@gmail.com
Friday, 6 November 2015
Priestly Ordinations 2015 : 13
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| Figure 1. Ordination chasuble of Father Miechels. |
In this post we are pleased to draw attention to the ordination of another Australian Father Joshua Miechels of the Archdiocese of Sydney.
Father Miechels was ordained to the Sacred Priesthood in Saint Mary's Cathedral, Sydney on 31st October along with three other candidates.
Father Miechels commissioned vestments from the Studio in in the Borromeon style. The vestments (shewn adjacent), were sewn from a shade of ivory silk damask and were ornamented with a simple orphrey in colours of ivory and gold, arranged in the Roman style. The vestments were lined in a muted shade of yellow taffeta.
Please pray for Father Miechels and for all newly-ordained priests.
Please click on the image for an enlarged view.
Enquiries: stbede62@gmail.com
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| Figure 2. During the First Holy Mass of Father Miechels on All Saints' Day.Image : Anna Fsadni |
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| Figure 3. The Archbishop of Sydney at the Laying-on of Hands Ordination of Father Joshua Miechels. Image : Giovanni Portelli, Catholic Communications Sydney. |
Monday, 2 November 2015
All Souls' Day
The Saint Bede Studio continually strives to prepare new designs to offer its customers, inspired by Tradition, but not a slave to it. Adjacent is pictured a new set of vestments in the Saint Martin style. It is not too often that we have an opportunity to present vestments intended for the Offices of the Dead.
The ornamentation of the vestment featured in this post is formed with a new braid, designed by the Studio and made exclusively for our customers. The braid is arranged in parallel lines to form a TAU orphrey. This braid is in a knotwerk design in colours of taup, burnt orange and black. The chasuble is of silk dupion, lined in taffeta.
The vestment described in this post was commissioned together with a number of other vestments for a Monastic Community in Brazil.
Click on the image for an enlarged view.
Enquiries: stbede62@gmail.com
The ornamentation of the vestment featured in this post is formed with a new braid, designed by the Studio and made exclusively for our customers. The braid is arranged in parallel lines to form a TAU orphrey. This braid is in a knotwerk design in colours of taup, burnt orange and black. The chasuble is of silk dupion, lined in taffeta.
The vestment described in this post was commissioned together with a number of other vestments for a Monastic Community in Brazil.
Click on the image for an enlarged view.
Enquiries: stbede62@gmail.com
Friday, 30 October 2015
Priestly Ordinations 2015 : 12
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| Figure 1. Ordination vestments of Father Thomas Quinn. |
This post concerns Father Thomas Quinn of the Archdiocese of Newark (New Jersey, USA), who was ordained to the Sacred Priesthood in the Cathedral Basilica of the Sacred Heart (Newark NJ) on 23rd May along with eleven other candidates.
Father Quinn commissioned vestments in the Borromeon form. The chasuble (shewn adjacent), was sewn from a crimson-red silk damask and was ornamented in the Roman manner with a braids in the Puginesque style, previously designed by the Studio. The vestments were lined in a Royal Blue-coloured taffeta.
Please pray for Father Quinn and for all newly-ordained priests.
Please click on the image for an enlarged view.
Enquiries: stbede62@gmail.com
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| Figure 2. Magnificent and distinctive facade of the Cathedral Basilica of the Sacred Heart, Newark NJ. |
Thursday, 22 October 2015
Priestly Ordinations 2015 : 10 and 11
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| Figure 1. Ordination vestments of Father Francis Denton. |
In this post we are pleased to draw attention to the ordinations of two Australians Father Francis Denton of the Archdiocese of Melbourne, and Father Conor Steadman of the Archdiocese of Perth.
Father Denton was ordained to the Sacred Priesthood in Saint Patrick's Cathedral, Melbourne on 27th June along with two other candidates, whilst Father Steadman was ordained in Saint Mary's Cathedral, Perth on 1st August along with several other candidates.
Because Father Denton's and Father Steadman's ordination vestments were of similar appearance we present a description of their vestments in this one post. Both vestments were made from silk damask of a muted shade of gold. The chasubles were ornamented in a damask of burgundy and gold silk, outlined with narrow galloons in the Roman style. They were lined in a wine-red taffeta. This design we have named Saint Bartholomew.
Father Denton's chasuble is in the Borromeon form whilst Father Steadman's vestments are in the Saint Philip Neri form.
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| Figure 2. Father Steadman receiving the Sacred Vessels during his Ordination by the Archbishop of Perth. |
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| Figure 3. Ordination vestments of Father Conor Steadman. |
Click on the images for an enlarged view.
Enquiries : stbede62@gmail.com
Sunday, 18 October 2015
Suscipe Sancta Trinitas
One of the prayers which didn't survive the Missale Romanum final cut in 1970 was this one:
How beautiful it would be if once again this prayer were recited at every Mass! The Angels would rejoice.
Accept, holy Trinity, this offering which we make to you in remembrance of the passion, resurrection and ascension of our Lord Jesus Christ, and in honour of blessed Mary ever Virgin, of blessed John the Baptist, of the holy Apostles Peter and Paul, of those whose relics rest here, and of all the Saints. To them may it bring honour, and to us salvation; and may they, whose memory we keep on earth, be pleased to intercede for us in heaven. Through the same Christ our Lord. Amen.
This beautiful prayer, intended to be recited quietly after the washing of the hands during the Preparation of Gifts or Offertory, is a summary of the things a Catholic should keep in mind when praying the Mass. It reminds us firstly that all our worship is offered to the One God, who is a Trinity of Persons: Father, Son and Holy Spirit. Secondly, in reflecting the Anamnesis after the consecration, the prayer insists on the unity of Christ’s Paschal Mystery that is re-presented for us in sacramental form: His Passion, Resurrection and Ascension. Finally, it asserts that a secondary end of the Mass is the honour of the Saints (that is, the victory of Christ in His members is being praised), and accordingly it begs their intercession for us on Earth.
One can only wonder at the mentality which saw fit to excise this prayer from the Mass. If there was one prayer that ought to have been retained at the Offertory, this was the one. After washing his hands and before inviting the people to prayer (Pray, brethren), the celebrant bowed before the altar and quietly prayed the Suscipe Sancta Trinitas.
If you are a priest reading this, you might consider praying this prayer at the Offertory when you offer the Ordinary Form of the Roman Mass. If you pray it according to the rubrics of the 1962 Missale Romanum, (namely bowed and silently) no one in the pews will be disturbed by hearing a prayer recited which is not contained in the New Order of Mass. Be daring.
How beautiful it would be if once again this prayer were recited at every Mass! The Angels would rejoice.
Thursday, 15 October 2015
Enquiries with the Studio
Recently, a very large number of enquiries has been received by the Studio. Every enquiry will be answered, but the patience of all those who have contacted us is sought.
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